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“Just a weird artist” Ahdri Kent is an up and coming indie j-alt rock singer/songwriter with a penchant for powerful piano driven anthems and poetic lyrical angst. With a vocal prowess reminiscent of the 90’s and 2000’s femme-god game changers like <a href="spotify:artist:3g2kUQ6tHLLbmkV7T4GPtL" data-name="Fiona Apple">Fiona Apple</a>, <a href="spotify:artist:1KsASRNugxU85T0u6zSg32" data-name="Tori Amos">Tori Amos</a>, <a href="spotify:artist:6ogn9necmbUdCppmNnGOdi" data-name="Alanis Morissette">Alanis Morissette</a>, and <a href="spotify:artist:1moxjboGR7GNWYIMWsRjgG" data-name="Florence + The Machine">Florence + The Machine</a>, Ahdri weaves a relevant mod tapestry of evocative curiousity and growth driven empowerment. If conversational queer rock were a genre, Ahdri would be this generation’s spearhead artist for THAT playlist.
Ahdri’s debut album Penetrome explores the relatable clamor of a queer woman’s emergence from cultural constraint to self realized acceptance and freedom. In her first ever released single and title track Penetrome, Ahdri uses the body of her frustrating experience as a child musician practicing with a metronome, to hold the concept of adult healing in this song. The discipline of breaking generational patterns and the painful handshake that is healing for the payoff of relief if not eventual bliss. Within the container of this push/pull experience, she paints a picture of the Penetrome. The big machine. The psychosexual process to hurt to heal.
Working with one of Nashville’s indie scene originals, producer/composer/singer-songwriter <a href="spotify:artist:3tc0nEJaa7aSOAEa3fbEEJ" data-name="K.S. Rhoads">K.S. Rhoads</a> who crafted the sonic world of this record to hold all that it is in composition and lyricism. Piercing, expansive, soul stirring and visceral. The album is all at once epic ear candy and resonant soul food.
Ahdri’s debut album Penetrome explores the relatable clamor of a queer woman’s emergence from cultural constraint to self realized acceptance and freedom. In her first ever released single and title track Penetrome, Ahdri uses the body of her frustrating experience as a child musician practicing with a metronome, to hold the concept of adult healing in this song. The discipline of breaking generational patterns and the painful handshake that is healing for the payoff of relief if not eventual bliss. Within the container of this push/pull experience, she paints a picture of the Penetrome. The big machine. The psychosexual process to hurt to heal.
Working with one of Nashville’s indie scene originals, producer/composer/singer-songwriter <a href="spotify:artist:3tc0nEJaa7aSOAEa3fbEEJ" data-name="K.S. Rhoads">K.S. Rhoads</a> who crafted the sonic world of this record to hold all that it is in composition and lyricism. Piercing, expansive, soul stirring and visceral. The album is all at once epic ear candy and resonant soul food.
