Amammoth

Sydney’s sludgiest stoner outfit Amammoth originally emerged in 2016 with a demo called Inhale, the first step in an epic journey whose trippy sonic sensibilities bely an intellectually vitriolic lyrical approach that draws attention to the outmoded power dynamics and illogical creation myths of a civilization still far off approaching its intellectual prime.
Taking influences from <a href="spotify:artist:3BRjxpDVT56Y2G5dS3xYZS" data-name="Eyehategod">Eyehategod</a> and <a href="spotify:artist:4htjQW3lgIwL6fEJlTOez4" data-name="Electric Wizard">Electric Wizard</a> to <a href="spotify:artist:6aVjo0xHSiuW5hkasoYSR3" data-name="Melvins">Melvins</a> , <a href="spotify:artist:5M52tdBnJaKSvOpJGz8mfZ" data-name="Black Sabbath">Black Sabbath</a> and beyond on a detour through terrestrial textures and extraterrestrial themes, Amammoth’s unique signature sound blurs the boundaries between sedation and stimulation, simultaneously submerging listeners into the distorted depths of the human experience while lifting them up with a distinctly groovy vibe and clean
vocal style that shines through both in the studio and on stage.
Now, with a host of achievements under their belts including releasing their debut EP Blackwitch and their first full-length album The Fire Above, as well as playing a host of electrically frenzied live shows, Amammoth’s momentum is at an all-time high as they prepare for their biggest year yet, with a second full-length album Distant Skies And The Ocean Flies set for release with Electric Valley Records, to be
officially announced in due time, much to the delight of their diverse and growing global fanbase.