Last updated: 8 hours ago
On the brink of unveiling her EP ‘Return From The Underworld’, London-based Chinese-Australian ĀNJÍ uncoils from the chrysalis with a reawakened sound—a sonic resurrection, shedding old skins to reveal a silken, tremulous world both ancient and raw. A bellowing yet effortless vocal range finds pillow-like safety in destructive, warm production. No stranger to patience, ĀNJÍ exposes heretic messages that have been slowly revealed to them, disguised through muted percussive distortions, distant muffled piano and severed electronica. Sensual and sacred in force, ĀNJÍ moves in tandem with the rumbles of divinity that ebb and flow in the boundlessly unsettling, yet transcendent times we arrive in—invoking and inviting all to remember their true form.
Inhabiting the shadow-esque realm of ethereal avant-pop, her new body of work—details the magnitude of her world, exploring the underworld’s alchemy; persephone’s return from the hades lair, stone petrification mythology, crypts, the deep sea, sepulchral, decay, grief, purging, and searching for love's origins. Relentlessly shapeshifting, uncoiling, disturbing the self—to become new, again and again. Seismically distilling the depths of fear into dew-drip sonic elixir.
Inhabiting the shadow-esque realm of ethereal avant-pop, her new body of work—details the magnitude of her world, exploring the underworld’s alchemy; persephone’s return from the hades lair, stone petrification mythology, crypts, the deep sea, sepulchral, decay, grief, purging, and searching for love's origins. Relentlessly shapeshifting, uncoiling, disturbing the self—to become new, again and again. Seismically distilling the depths of fear into dew-drip sonic elixir.
