Last updated: 1 hour ago
Anteloper is a duo of psychedelic sonic compatriots starring a pair of raggedy celestial sound warriors: trumpeter jaimie branch and drummer Jason Nazary. These longtime friends and collaborators met as young explorers and consider this electrified duo a continuous experiment into the unknown sonic abyss. Improvised organisms, abstract bangers, and mind-bending head boppers are guided by a unique desire to hear what hasn’t been heard before. This is music made of and for the moment, tipping towards the future, moving feet to the new-new beat.
Of Anteloper, in the liner notes for their 4/20/2018 debut Kudu, audiovisual avant-garde sage Rob Mazurek says: “Perspectives shift in weight and wander, sometimes distilled into perfect shots of mystic rum and sometimes left alone in an overgrown petrified aluminum forest, dripping and seething into utopian oblivion… Multiple dimensions collide and caress like a wooly tiger, kissing suns and embracing the nothingness, cracking this nothingness into sheets of corrugated dreams…” Despite only being released on cassette, Kudu was dubbed one of the “Best Albums of 2018” by Bandcamp, Pop Matters, and Rolling Stone, who said “the duo convincingly bridges woozy psychedelic abstraction and furiously propulsive free funk... fractured beats and pealing, effects-heavy brass suggests a punk-minded update of Miles Davis’ most thrillingly weird Seventies explorations… This is music for serious immersion.”
Of Anteloper, in the liner notes for their 4/20/2018 debut Kudu, audiovisual avant-garde sage Rob Mazurek says: “Perspectives shift in weight and wander, sometimes distilled into perfect shots of mystic rum and sometimes left alone in an overgrown petrified aluminum forest, dripping and seething into utopian oblivion… Multiple dimensions collide and caress like a wooly tiger, kissing suns and embracing the nothingness, cracking this nothingness into sheets of corrugated dreams…” Despite only being released on cassette, Kudu was dubbed one of the “Best Albums of 2018” by Bandcamp, Pop Matters, and Rolling Stone, who said “the duo convincingly bridges woozy psychedelic abstraction and furiously propulsive free funk... fractured beats and pealing, effects-heavy brass suggests a punk-minded update of Miles Davis’ most thrillingly weird Seventies explorations… This is music for serious immersion.”
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