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Data updated on 2024-11-22 13:03:00 UTC
Argy stands out as a transformative figure in the realm of electronic music, specifically within the melodic techno genre. With a unique sonic footprint that mesmerizes and invigorates listeners globally, Argy's work has become synonymous with innovation and quality. His reputation as a trailblazer in the music scene is well earned, with a catalog of tracks that not only chart well but also pioneer new directions in a somewhat saturated market.
One of Argy's most groundbreaking tracks, "Tataki," released in 2022, perfectly encapsulates the essence of his musical genius. The track, which has gathered over 16.9 million streams on Spotify, is a compelling blend of driving beats and ethereal synths, creating an immersive listening experience that has resonated with a vast audience. "Tataki" showcases Argy’s ability to infuse traditional techno rhythms with a modern, melodious twist, making it a standout piece in his creative repertoire.
Throughout his career, Argy has amassed a staggering 67.6 million streams on Spotify, a testament to his widespread appeal and the strong following he has cultivated. His work is regularly featured on Afterlife, a label known for its quality and depth in the electronic music industry, and a platform that has famously supported his musical explorations. His releases on Afterlife, such as "Pantheon," "Aria," and the collaborative piece "Higher Power" with Anyma, highlight his versatility and his skill in blending different sonic elements to formulate fresh, captivating soundscapes.
Argy's music is characterized by its layered complexity and its ability to convey emotion through electronic compositions. His tracks often build slowly, enveloping the listener in a sound that is both expansive and intensely personal. Every release promises a journey, one that explores different textures and rhythms, ultimately delivering a powerful auditory experience. This ability to challenge conventional listening habits has set Argy apart in the electronic music scene, making him not just a producer but a true auditory storyteller.
Furthermore, his impact extends beyond individual tracks. Argy's influence is seen in the way he has shaped the melodic techno scene, infusing it with a fresh vibrancy and demonstrating that electronic music can be both dynamic and deeply emotional. His style has evolved over the years, but the core elements—meticulous production, innovative sound design, and a knack for rhythmic diversity—remain evident.
The global success of Argy can also be attributed to his live performances, which are as energetic and compelling as his studio work. Watching Argy perform is a sensory experience; he captivates his audience not only with his sound but with his palpable passion and precision. Each performance reaffirms his status as not just a producer but as an artist and a visionary in the electronic music industry.
In conclusion, Argy not only produces tracks; he creates auditory experiences that linger long after the last note has played. His contribution to the melodic techno world is indelible, helping to redefine and expand its boundaries. As Argy continues to experiment and release new music, his legacy as a pioneer of innovative, emotional electronic music is sure to be further cemented.
One of Argy's most groundbreaking tracks, "Tataki," released in 2022, perfectly encapsulates the essence of his musical genius. The track, which has gathered over 16.9 million streams on Spotify, is a compelling blend of driving beats and ethereal synths, creating an immersive listening experience that has resonated with a vast audience. "Tataki" showcases Argy’s ability to infuse traditional techno rhythms with a modern, melodious twist, making it a standout piece in his creative repertoire.
Throughout his career, Argy has amassed a staggering 67.6 million streams on Spotify, a testament to his widespread appeal and the strong following he has cultivated. His work is regularly featured on Afterlife, a label known for its quality and depth in the electronic music industry, and a platform that has famously supported his musical explorations. His releases on Afterlife, such as "Pantheon," "Aria," and the collaborative piece "Higher Power" with Anyma, highlight his versatility and his skill in blending different sonic elements to formulate fresh, captivating soundscapes.
Argy's music is characterized by its layered complexity and its ability to convey emotion through electronic compositions. His tracks often build slowly, enveloping the listener in a sound that is both expansive and intensely personal. Every release promises a journey, one that explores different textures and rhythms, ultimately delivering a powerful auditory experience. This ability to challenge conventional listening habits has set Argy apart in the electronic music scene, making him not just a producer but a true auditory storyteller.
Furthermore, his impact extends beyond individual tracks. Argy's influence is seen in the way he has shaped the melodic techno scene, infusing it with a fresh vibrancy and demonstrating that electronic music can be both dynamic and deeply emotional. His style has evolved over the years, but the core elements—meticulous production, innovative sound design, and a knack for rhythmic diversity—remain evident.
The global success of Argy can also be attributed to his live performances, which are as energetic and compelling as his studio work. Watching Argy perform is a sensory experience; he captivates his audience not only with his sound but with his palpable passion and precision. Each performance reaffirms his status as not just a producer but as an artist and a visionary in the electronic music industry.
In conclusion, Argy not only produces tracks; he creates auditory experiences that linger long after the last note has played. His contribution to the melodic techno world is indelible, helping to redefine and expand its boundaries. As Argy continues to experiment and release new music, his legacy as a pioneer of innovative, emotional electronic music is sure to be further cemented.
Total plays
197.8 million
Updated on 2024-11-22
Total plays for Argy
The total plays count is calculated based on all the tracks listed in the "Most popular tracks" section. Spotify does not provide this data, and it is quite tricky to compute in some cases. You should consider this as an estimation, more than an exact value. The data is not real time, but we try to update it as often as possible.
Date | Total plays |
---|---|
2024-11-22 | 197,767,990 |
2024-06-10 | 130,561,979 |
2024-05-29 | 72,430,160 |
2024-05-13 | 69,823,889 |
2024-04-26 | 67,555,312 |
2024-04-11 | 65,499,731 |
2024-03-28 | 63,465,326 |
2024-03-12 | 60,837,942 |
2024-02-26 | 59,137,750 |
2024-02-12 | 57,632,112 |
2023-11-26 | 55,631,601 |
2023-10-16 | 46,763,641 |
2023-09-30 | 43,785,370 |
2023-09-15 | 41,828,008 |
2023-08-29 | 40,708,460 |
2023-08-25 | 38,478,740 |
2023-08-20 | 38,014,423 |
Monthly listeners
3,005,104
Followers
176,891
Top Cities
-
73,777 listeners
-
45,964 listeners
-
54,004 listeners
-
47,508 listeners
-
Athens39,063 listeners
Related artists
Most popular tracks
Track | Plays | Duration | Release date | |
---|---|---|---|---|
|
63,349,719 | 3:56 | 2023-09-22 | |
|
22,690,805 | 5:29 | 2022-01-07 | |
|
20,195,231 | 4:32 | 2023-01-13 | |
|
18,648,482 | 3:29 | 2024-03-15 | |
|
13,912,717 | 6:44 | 2022-11-18 | |
|
12,056,778 | 3:22 | 2024-04-18 | |
|
6,565,434 | 4:08 | 2023-02-03 | |
|
4,707,944 | 5:48 | 2023-08-11 | |
|
4,143,063 | 3:38 | 2024-03-14 | |
|
4,077,973 | 5:21 | 2022-01-07 | |
|
3,100,910 | 5:08 | 2021-04-30 | |
|
2,551,135 | 3:39 | 2024-03-14 | |
|
1,952,404 | 5:06 | 2022-07-20 | |
|
1,840,013 | 3:01 | 2024-09-27 | |
|
1,216,795 | 5:29 | 2022-07-29 | |
|
1,180,690 | 3:14 | 2024-11-01 | |
|
1,133,223 | 3:47 | 2024-03-15 | |
|
971,652 | 6:24 | 2013-09-02 | |
|
939,699 | 4:22 | 2024-03-15 | |
|
784,253 | 5:26 | 2021-05-28 | |
|
730,687 | 6:03 | 2014-09-12 | |
|
728,390 | 2:52 | 2024-10-18 | |
|
694,828 | 3:37 | 2024-03-15 | |
|
628,822 | 6:12 | 2021-09-17 | |
|
560,118 | 4:11 | 2024-03-15 | |
|
456,409 | 5:33 | 2022-10-07 | |
|
420,835 | 6:56 | 2021-08-06 | |
|
399,109 | 8:11 | 2015-03-13 | |
|
382,369 | 3:44 | 2024-03-15 | |
|
370,875 | 8:23 | 2021-12-24 | |
|
368,147 | 6:21 | 2015-10-09 | |
|
330,661 | 3:55 | 2024-03-15 | |
|
299,499 | 5:42 | 2021-05-28 | |
|
291,422 | 5:53 | 2016-05-16 | |
|
286,066 | 6:45 | 2021-08-06 | |
|
230,593 | 7:03 | 2018-08-13 | |
|
229,204 | 6:42 | 2005-07-18 | |
|
178,052 | 4:54 | 2021-05-28 | |
|
173,873 | 6:26 | 2008-06-08 | |
|
156,915 | 5:53 | 2009-01-27 | |
|
137,220 | 5:38 | 2018-03-30 | |
|
122,147 | 5:07 | 2021-05-28 | |
|
119,558 | 7:34 | 2015-09-28 | |
|
117,222 | 4:44 | 2021-05-17 | |
|
112,817 | 5:02 | 2021-05-28 | |
|
108,715 | 6:11 | 2016-05-16 | |
|
108,715 | 6:13 | 2011-09-23 | |
|
102,493 | 4:08 | 2015-01-16 | |
|
92,590 | 7:19 | 2015-10-09 | |
|
91,893 | 5:58 | 2018-03-30 | |
|
84,978 | 6:21 | 2016-05-16 | |
|
83,790 | 7:17 | 2007-06-15 | |
|
78,323 | 7:30 | 2007-06-15 | |
|
75,900 | 6:51 | 2021-09-17 | |
|
74,707 | 4:38 | 2021-05-28 | |
|
71,053 | 5:15 | 2021-12-24 | |
|
70,044 | 5:28 | 2008-06-08 | |
|
63,677 | 5:55 | 2020-08-21 | |
|
56,580 | 5:06 | 2014-12-19 | |
|
55,578 | 4:00 | 2018-03-30 | |
|
53,791 | 6:33 | 2012-07-27 | |
|
53,599 | 6:21 | 2021-05-28 | |
|
53,543 | 5:55 | 2018-03-30 | |
|
51,683 | 4:02 | 2015-01-16 | |
|
50,302 | 8:31 | 2008-06-08 | |
|
47,529 | 5:38 | 2011-07-22 | |
|
47,151 | 7:02 | 2016-05-16 | |
|
46,912 | 5:19 | 2005-07-18 | |
|
45,743 | 6:10 | 2016-05-16 | |
|
45,743 | 6:10 | 2015-10-26 | |
|
42,222 | 6:07 | 2021-12-24 | |
|
40,785 | 5:38 | 2024-09-20 | |
|
34,228 | 4:27 | 2015-01-16 | |
|
33,612 | 5:45 | 2013-08-19 | |
|
32,709 | 3:03 | 2020-05-22 | |
|
31,622 | 6:32 | 2016-05-16 | |
|
31,622 | 6:32 | 2010-02-03 | |
|
29,213 | 5:27 | 2018-03-30 | |
|
28,433 | 5:50 | 2024-09-20 | |
|
26,779 | 3:49 | 2015-01-16 | |
|
26,560 | 5:30 | 2015-01-16 | |
|
26,555 | 6:13 | 2024-09-20 | |
|
26,392 | 5:47 | 2014-03-24 | |
|
25,924 | 6:11 | 2016-05-16 | |
|
25,924 | 6:11 | 2013-09-24 | |
|
25,280 | 5:57 | 2015-01-16 | |
|
24,096 | 7:42 | 2020-10-23 | |
|
23,905 | 5:36 | 2012-09-17 | |
|
23,798 | 5:50 | 2018-11-30 | |
|
22,901 | 7:04 | 2018-06-22 | |
|
22,792 | 7:38 | 2016-05-16 | |
|
22,302 | 5:22 | 2011-07-22 | |
|
22,163 | 4:58 | 2020-07-10 | |
|
20,919 | 5:32 | 2005-07-18 | |
|
19,293 | 6:30 | 2009-02-16 | |
|
19,043 | 6:56 | 2011-06-26 | |
|
18,921 | 8:06 | 2016-05-16 | |
|
18,760 | 6:56 | 2021-09-17 | |
|
18,338 | 5:59 | 2011-09-23 | |
|
18,033 | 7:11 | 2011-04-04 | |
|
18,014 | 6:08 | 2008-06-08 | |
|
17,390 | 5:17 | 2016-05-16 | |
|
17,194 | 6:45 | 2016-05-16 | |
|
16,193 | 8:21 | 2008-06-08 | |
|
16,121 | 7:20 | 2018-03-30 | |
|
16,019 | 8:51 | 2011-05-06 | |
|
15,216 | 8:12 | 2015-09-28 | |
|
14,967 | 5:19 | 2020-05-22 | |
|
14,953 | 7:56 | 2018-03-30 | |
|
14,724 | 3:54 | 2015-01-16 | |
|
14,617 | 6:11 | 2011-04-17 | |
|
14,507 | 6:24 | 2011-09-23 | |
|
14,429 | 5:50 | 2018-11-30 | |
|
13,888 | 5:52 | 2011-09-23 | |
|
13,760 | 5:36 | 2018-07-06 | |
|
13,706 | 5:57 | 2009-09-14 | |
|
13,596 | 6:39 | 2016-05-16 | |
|
13,537 | 6:27 | 2006-02-06 | |
|
13,208 | 5:40 | 2011-09-23 | |
|
13,103 | 4:51 | 2015-01-16 | |
|
13,054 | 5:57 | 2011-09-23 | |
|
12,622 | 6:49 | 2008-04-23 | |
|
12,329 | 7:13 | 2015-10-09 | |
|
11,639 | 5:49 | 2012-10-08 | |
|
11,249 | 3:28 | 2015-01-16 | |
|
10,818 | 2:13 | 2015-01-16 | |
|
10,611 | 5:15 | 2017-08-04 | |
|
10,542 | 6:24 | 2016-05-16 | |
|
10,365 | 6:13 | 2008-06-08 | |
|
10,342 | 8:06 | 2009-02-18 | |
|
10,270 | 5:19 | 2023-02-03 | |
|
9,809 | 5:08 | 2011-02-21 | |
|
9,655 | 3:59 | 2018-03-30 | |
|
9,134 | 5:54 | 2011-07-22 | |
|
8,624 | 3:18 | 2011-02-21 | |
|
8,526 | 3:60 | 2018-03-30 | |
|
8,406 | 6:06 | 2017-02-03 | |
|
8,385 | 6:37 | 2020-07-24 | |
|
8,218 | 6:32 | 2014-11-27 | |
|
8,100 | 3:60 | 2018-03-30 | |
|
7,896 | 4:00 | 2018-03-30 | |
|
7,889 | 8:21 | 2016-05-16 | |
|
7,870 | 5:32 | 2012-06-18 | |
|
7,613 | 7:56 | 2016-08-08 | |
|
7,300 | 7:07 | 2015-03-13 | |
|
6,858 | 5:30 | 2008-06-08 | |
|
6,762 | 7:15 | 2006-07-31 | |
|
6,531 | 6:16 | 2011-07-22 | |
|
6,306 | 6:48 | 2017-04-10 | |
|
6,144 | 6:19 | 2016-05-16 | |
|
6,136 | 5:42 | 2018-08-13 | |
|
5,921 | 6:46 | 2016-05-16 | |
|
5,391 | 5:00 | 2011-04-17 | |
|
5,103 | 7:12 | 2016-05-16 | |
|
4,946 | 5:18 | 2020-05-15 | |
|
4,922 | 6:03 | 2020-03-09 | |
|
4,791 | 6:22 | 2012-05-28 | |
|
4,612 | 5:13 | 2018-10-26 | |
|
4,223 | 5:08 | 2014-07-21 | |
|
4,195 | 5:20 | 2012-07-27 | |
|
4,013 | 5:45 | 2006-02-06 | |
|
3,928 | 5:43 | 2011-09-23 | |
|
3,679 | 6:47 | 2008-06-08 | |
|
3,622 | 5:32 | 2011-09-23 | |
|
3,515 | 5:54 | 2011-09-23 | |
|
3,494 | 5:01 | 2018-10-26 | |
|
3,455 | 4:23 | 2011-09-23 | |
|
3,351 | 5:43 | 2012-06-18 | |
|
3,273 | 6:19 | 2009-11-06 | |
|
3,262 | 8:43 | 2018-11-30 | |
|
3,261 | 3:50 | 2008-06-08 | |
|
3,109 | 4:50 | 2022-05-08 | |
|
2,958 | 5:06 | 2009-02-16 | |
|
2,860 | 7:20 | 2011-09-23 | |
|
2,775 | 5:12 | 2017-04-14 | |
|
2,753 | 6:56 | 2011-06-30 | |
|
2,731 | 5:40 | 2018-07-06 | |
|
2,623 | 7:32 | 2019-12-13 | |
|
2,388 | 5:57 | 2011-10-19 | |
|
2,258 | 5:16 | 2011-09-23 | |
|
2,205 | 7:01 | 2009-11-06 | |
|
2,100 | 6:49 | 2018-08-13 | |
|
2,034 | 5:38 | 2018-10-26 | |
|
1,981 | 5:17 | 2010-05-10 | |
|
1,974 | 5:27 | 2012-04-25 | |
|
1,946 | 7:00 | 2018-07-06 | |
|
1,931 | 5:32 | 2011-04-17 | |
|
1,888 | 5:33 | 2019-12-06 | |
|
1,875 | 6:24 | 2009-01-01 | |
|
1,795 | 3:32 | 2019-12-06 | |
|
1,780 | 8:18 | 2014-11-17 | |
|
1,753 | 6:11 | 2013-07-01 | |
|
1,676 | 8:30 | 2012-01-01 | |
|
1,665 | 4:59 | 2011-04-17 | |
|
1,609 | 6:43 | 2006-07-31 | |
|
1,499 | 6:04 | 2005-03-21 | |
|
1,477 | 6:20 | 2006-02-06 | |
|
1,406 | 7:03 | 2006-08-31 | |
|
1,397 | 5:47 | 2012-07-27 | |
|
1,173 | 5:31 | 2016-03-18 | |
|
1,153 | 5:54 | 2006-01-01 | |
|
1,126 | 5:33 | 2011-07-22 | |
|
1,076 | 4:09 | 2023-05-02 | |
|
< 1000 | 5:20 | 2019-09-06 | |
|
< 1000 | 5:38 | 2011-03-07 | |
|
< 1000 | 5:28 | 2012-03-09 | |
|
< 1000 | 5:30 | 2017-03-10 | |
|
< 1000 | 4:60 | 2013-08-26 | |
|
< 1000 | 5:30 | 2016-05-27 | |
|
< 1000 | 5:39 | 2006-07-31 | |
|
< 1000 | 6:20 | 2006-02-06 | |
|
< 1000 | 6:01 | 2006-02-06 |
New releases
2020-10-23
[Poker Flat Recordings]