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Aurelia Anne Cohen will be releasing her first solo album officially on June 9th with a full west coast release tour that kicks off May 30th from Bisbee AZ with 25 shows in 29 days taking her through NM, AZ, CA, OR and WA. She will then wind her way back south stopping at the 200th National Rocky Mountain Rendezvous in Lonetree WY in mid July. With years on the road behind her and several releases with different projects Primarily <a href="spotify:artist:4BMP1PV30Qjy8BBuihAMUi" data-name="Intuitive Compass">Intuitive Compass</a> and <a href="spotify:artist:5F8HxJRY9U7Hct9qBAcOA9" data-name="The Barn Swallows">The Barn Swallows</a>, she finds herself solo and fancy free. <a href="spotify:artist:7CyN8YGK0KlsJ6GZC6OHPU" data-name="Kate Flannery">Kate Flannery</a>, a fabulous author and vocalist with the LA Little Richard cover band, Big Dick wrote this review of Aurelias new album:
In Chrysalis, Aurelia Anne Cohen crafts a spellbinding folk record of original songs that carry the quiet power of prairie melancholy. These are not ballads of grand heroism or sweeping myth, but tales told in firelight—women waiting, walking away, resisting, mourning, remembering.
Cohen’s voice—clear, mournful, and otherworldly
Pretend Song and Tumbleweed (with its charming whistle chorus), are both spirited banjo floor-stompers. In the latter, Cohen is the eponymous Wayfaring Stranger, a lone wanderer spreading seeds and enigma— “Where are you going, babe? I can not say.” Chrysalis implores the listener to follow.
For those drawn to the liminal spaces of folk music, where sorrow and beauty meet in the dark, Cohen’s Chrysalis is a rare and haunting find.
In Chrysalis, Aurelia Anne Cohen crafts a spellbinding folk record of original songs that carry the quiet power of prairie melancholy. These are not ballads of grand heroism or sweeping myth, but tales told in firelight—women waiting, walking away, resisting, mourning, remembering.
Cohen’s voice—clear, mournful, and otherworldly
Pretend Song and Tumbleweed (with its charming whistle chorus), are both spirited banjo floor-stompers. In the latter, Cohen is the eponymous Wayfaring Stranger, a lone wanderer spreading seeds and enigma— “Where are you going, babe? I can not say.” Chrysalis implores the listener to follow.
For those drawn to the liminal spaces of folk music, where sorrow and beauty meet in the dark, Cohen’s Chrysalis is a rare and haunting find.
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