Last updated: 6 days ago
Bernie McGann's gruff, vocal alto sound and rough-hewn lyricism have marked him as an invigorating voice from Australia. The son of a metal worker who played drums in a dance band and listened to jazz, <a href="spotify:artist:5laqcalXBYwk2pBY3wuZDo">McGann</a> first appeared on the Australian jazz scene in the '50s. Almost from the beginning he was controversial, with one club owner refusing to have <a href="spotify:artist:5laqcalXBYwk2pBY3wuZDo">McGann</a> work in his club. He developed a sound reminiscent, but not influenced by, <a href="spotify:artist:47odibUtrN3lnWx0p0pk2P">Ornette Coleman</a>. His playing has remained rooted in traditional bop, as well as integrating elements of his native land's folk music. In the '50s, he began working with drummer John Pochee and bassist Lloyd Swanton. Together, they played as a trio under <a href="spotify:artist:5laqcalXBYwk2pBY3wuZDo">McGann</a>'s leadership and under Pochee's leadership in the combo <a href="spotify:artist:2lkvqdIl63qXXNZLs4q2RD">Last Straw</a> and the tentet <a href="spotify:artist:6ftsfIeDUs46VfyXX02HhP">Ten Part Invention</a>. <a href="spotify:artist:5laqcalXBYwk2pBY3wuZDo">McGann</a> and his cohorts gained greater visibility in America in the late '80s and '90s with the release of recordings by all three of these ensembles. Starting with Ugly Beauty, the albums served to introduce listeners to a voice at once rooted in the jazz tradition and evocative of <a href="spotify:artist:5laqcalXBYwk2pBY3wuZDo">McGann</a>'s Australia. ~ David Dupont, Rovi
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