Black Salvation

Exploding into a thousand shards of awesome at the unlikely nexus of heavy metal, post-punk, protest rock, krautrock, and traditional rhythm & blues, Germany-based BLACK SALVATION​ are obviously not playing by conventional rules. While safe thinkers covet and cradle known tenets, BLACK SALVATION ​are blasting fantastic between unknown of inner and outer worlds of rockdom.
BLACK SALVATION’s​ newest odes to the uncharted simple but imaginative. The result was a puzzle of drums, overdubbed bass, fuzzy yet nimble guitar, and Schlesier’s baritone vocals. The glint of genius in the early versions of ‘In a Casket’s Ride,’ ‘Leair,’ ‘A Direction is Futile,’ and ‘Floating Torpid’ was all too real, but BLACK SALVATION ​needed the right drummer to send them into the stratosphere.
Enter Uno Bruniusson.
With Bruniusson behind the kit and the vibes at 11, BLACK SALVATION ​wasted little time to track Uncertainty is Bliss. They had as long as they needed, but environmentally it wasn’t the best place to record a trans-genre, beyond-space masterpiece. For eight days, BLACK SALVATION fought the confines of the rehearsal room. But between high-end mics and a vintage, if temperamental 8-track Fostex tape machine, they emerged with a modern-day gem of psychedelic hard rock madness. The songs were eventually transferred to computer, where the finishing touches were constructed for mixing and mastering aces Martin "Konie" Ehrencrona and Pieter Kloos.