Last updated: 2 hours ago
Briars of North America work at their own pace, with release plans guided more by equinoxes and solstices than any conventional music industry wisdom. The core trio includes two long lost cousins and a friend. Their new album Supermoon exists at the crossroads of ambient, indie and so-called new music — delivered with the precision of chamber music, the emotional transparency of folk, and the weight of ritual.
The cousins — Jeremy Thal and Gideon Crevoshay — first began making music together as Briars of North America in 2009. Greg Chudzik entered the Briar orbit soon after. As individuals the trios have played with and performed alongside icons such as Meredith Monk, Neutral Milk Hotel, and Radiohead's Johnny Greenwood.
"I play music because it draws together all the disintegrating strands of life into something palatable, comprehensible, moving," says Jeremy. "Music conjures the spirit behind both suffering and joy and holds it for a second, a unique singularity in an expanding cosmos. Plus, it’s a good way to spend time and communicate with people. If we can get people to dance or cry, it feels like we’ve been in deep conversation, even if we would have nothing to say to each other in normal life. We aspire to create music that exists in a ceremonial space, where emotions crystallize and structures like time and emotion become malleable."
The cousins — Jeremy Thal and Gideon Crevoshay — first began making music together as Briars of North America in 2009. Greg Chudzik entered the Briar orbit soon after. As individuals the trios have played with and performed alongside icons such as Meredith Monk, Neutral Milk Hotel, and Radiohead's Johnny Greenwood.
"I play music because it draws together all the disintegrating strands of life into something palatable, comprehensible, moving," says Jeremy. "Music conjures the spirit behind both suffering and joy and holds it for a second, a unique singularity in an expanding cosmos. Plus, it’s a good way to spend time and communicate with people. If we can get people to dance or cry, it feels like we’ve been in deep conversation, even if we would have nothing to say to each other in normal life. We aspire to create music that exists in a ceremonial space, where emotions crystallize and structures like time and emotion become malleable."
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