Last updated: 9 hours ago
Bruma is the musical project of Pedro Portellano, a Spanish musician and composer whose work moves between organic electronica, IDM, and sonic experimentation. His new album, Halo, released by Plan B Records, is the result of a three-year creative process in which each of its sixteen tracks serves as a reflection of life experiences, transformed into sonic passages.
The halo, the central concept of the album, is a metaphor for unfulfilled dreams, for ideals brought down to earth, for impossible longings. But it also symbolizes the beginning of a calm state after the storm, an inner refuge, and an awareness of one’s own fragility. This duality translates into music that shifts between structure and dissolution, between song and abstraction, where melodies fade into malleable textures and organic rhythms interact with analog synthesizers, processed voices, and granular landscapes.
The halo, the central concept of the album, is a metaphor for unfulfilled dreams, for ideals brought down to earth, for impossible longings. But it also symbolizes the beginning of a calm state after the storm, an inner refuge, and an awareness of one’s own fragility. This duality translates into music that shifts between structure and dissolution, between song and abstraction, where melodies fade into malleable textures and organic rhythms interact with analog synthesizers, processed voices, and granular landscapes.
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