Davy Morgan

A minor figure on the fringe of the rock and folk scene in 1960s Britain, Morgan made a single for Columbia in 1965, "Tomorrow I'll Be Gone"/"Ain't Got Much More to See." Produced by <a href="spotify:artist:2qFfH4tRlRJtTqPoapoerO">Joe Meek</a>, these sides had the typical strange squashed otherworldly sound typical of <a href="spotify:artist:2qFfH4tRlRJtTqPoapoerO">Meek</a>'s creations. "Tomorrow I'll Be Gone" was (again, like many of <a href="spotify:artist:2qFfH4tRlRJtTqPoapoerO">Meek</a>'s records) a mawkish pop/rock ballad, but Morgan's folk side came out much more strongly on "Ain't Got Much More to See," a troubadour folk tune given a galloping beat and a couple of layers of acoustic guitars. Morgan was also part of the folk trio Lorel, who also included cult singer/songwriter <a href="spotify:artist:51SJkIsJQ3UFQRT3zcwYIx">Duncan Browne</a>. Lorel was signed to <a href="spotify:artist:7osQlIEugmCDo8AXAyzlqq">Andrew Oldham</a>'s Immediate label around 1967 and they made some demos with Mike D'Abo of Manfred Mann producing. However, Lorel split before <a href="spotify:artist:5lkiCO9UQ8B23dZ1o0UV4m">Browne</a> went solo and did his 1968 Immediate album Give Me Take You. ~ Richie Unterberger, Rovi