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Since he started the <a href="spotify:artist:10vxlFO7l4kgOKtsz4HbQp" data-name="d&#39;Eon">d&#39;Eon</a> project in the late 2000s, Montreal-based composer / producer Chris d’Eon has created a wide catalog of works that defy easy classification. His bottomless toolbox of contrasting styles and compositional frameworks contains everything from richly melodic keyboard music to glitched algorithmic abstractions to high-definition pop- and R&amp;B-adjacent songwriting to holy post-classical minimalism to unabashed dance floor bangers. All of these vocabularies cohere into a polyglot practice defined by restless experimentation and ever-evolving complex forms. In the early 2010s, the dearly missed LA-based label Hippos In Tanks released six of d’Eon’s albums, including many entries in his ongoing Music for Keyboards series, and his split LP with <a href="spotify:artist:053q0ukIDRgzwTr4vNSwab" data-name="Grimes">Grimes</a> called <a href="spotify:album:4ObLcUJkqg7dTx0mjUrAtr" data-name="Darkbloom">Darkbloom</a> in 2011. Uniting contemporaries like <a href="spotify:artist:2gjrgz4DNYGrvQOpqLr2nv" data-name="James Ferraro">James Ferraro</a>, <a href="spotify:artist:4SQdUpG4f7UbkJG3cJ2Iyj" data-name="Arca">Arca</a>, <a href="spotify:artist:5CFSYjc0PAiQvndFjafabk" data-name="Dean Blunt">Dean Blunt</a>, <a href="spotify:artist:0sRVVDpgF2sKzPBkDszzUl" data-name="Laurel Halo">Laurel Halo</a>, and <a href="spotify:artist:2wPDbhaGXCqROrVmwDdCrK" data-name="Oneohtrix Point Never">Oneohtrix Point Never</a> into one catalog, Hippos In Tanks sketched out an international electronic vanguard within which d’Eon was a prolific participant. Since the label’s dissolution after the tragic death of founder Barron Machat in 2015, d’Eon’s music has appeared in digital self-releases, including a series of albums under the Trios banner, that continue to carve out new trails in modern electronic composition. Since 2021, d&#39;Eon has partnered up with the label Hausu Mountain for the releases of Rhododendron and Leviathan.

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