Last updated: 3 hours ago
EMBRACE BY DARK
Embrace by Dark is of those rare kind of projects whose existence denies the limitations of time and space to become something much more lasting and significant than an ordinary metal band. Stared in distant 1995, with the years, they turned to be one of the most impressive and distinctive names within Bulgarian extreme scene – a status, hold up until today.
Shortly after the beginning they entered the studio to record their first album “Inlaid Dark Arches”, which aroused a great response from the fans and press and is still a sought after collectors item. Full of ideas and eager for a breakthrough, the group gradually layered more new material, which earned them a solid contract with the cult Bulgarian label 0.4.3., in the Spring of 2001.
Few examples could surpass this epic album in terms of efforts, means and scale. Crazy dreamers and pedantical perfectionists, the band designed something hard to achieve even in real world but almost impossible for the Eastern Europe by that time. It took two years, three sound engineers, seven recording musicians and a long list of collaborators involved, to see the “Sculpture of the Godforsaken Aeons” completed. The final touch was applied by Stuart Ansits (ex-Cradle of Filth) at Steelcagesounds (UK), who brought, with the mastering, the whole production up to the world standards.
Embrace by Dark is of those rare kind of projects whose existence denies the limitations of time and space to become something much more lasting and significant than an ordinary metal band. Stared in distant 1995, with the years, they turned to be one of the most impressive and distinctive names within Bulgarian extreme scene – a status, hold up until today.
Shortly after the beginning they entered the studio to record their first album “Inlaid Dark Arches”, which aroused a great response from the fans and press and is still a sought after collectors item. Full of ideas and eager for a breakthrough, the group gradually layered more new material, which earned them a solid contract with the cult Bulgarian label 0.4.3., in the Spring of 2001.
Few examples could surpass this epic album in terms of efforts, means and scale. Crazy dreamers and pedantical perfectionists, the band designed something hard to achieve even in real world but almost impossible for the Eastern Europe by that time. It took two years, three sound engineers, seven recording musicians and a long list of collaborators involved, to see the “Sculpture of the Godforsaken Aeons” completed. The final touch was applied by Stuart Ansits (ex-Cradle of Filth) at Steelcagesounds (UK), who brought, with the mastering, the whole production up to the world standards.
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