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Farah has been an Italians Do It Better mainstay since the label’s early years, working with producer/label head <a href="spotify:artist:2KofAEA8S0jDDXjSg6a3HR" data-name="Johnny Jewel">Johnny Jewel</a> to craft powerful, minimalist dark disco cuts with poetic lyrics that she unfurls in both English and Farsi. The Texan’s debut came in 2007, with the hypnotic “<a href="spotify:track:4sCFcEHI42mv9zWfw7qZ9r" data-name="Law Of Life">Law Of Life</a>,” a haunting slow-burner that meticulously dials up the suspense in a way that would make it seem right at home in a giallo picture. That same year, “Law Of Life” and her popular “<a href="spotify:track:7phuNFDnBgTJsDcLOSznr6" data-name="Dancing Girls (Suite 304 Demo)">Dancing Girls (Suite 304 Demo)</a>” were showcased on <a href="spotify:album:674k9z9PERhPAZF7osTrxs" data-name="After Dark">After Dark</a>, Italians Do It Better’s influential label sampler. 2010 brought the cult hit 12" single EP, “Gay Boy.” Farah made a appearance on the After Dark 2 compilation in 2013 with “Into Eternity,” a dark, evocative, arpeggiator-driven track that intoxicates with its spaciousness and spectral beauty. A year later, Farah's music made it to the silver screen when “Dancing Girls” was used in Ana Lily Amirpour’s Iranian vampire western <a href="spotify:user:jeremywest:playlist:30GqCg1iMZ0X8LJCHfWj9G" data-name="A Girl Walks Home Alone at Night Soundtrack">A Girl Walks Home Alone at Night Soundtrack</a> and Mathieu Demy's film Americano starring Salma Hayek. Most recently, Farah released the otherworldly 2017 EP <a href="spotify:album:7aIoHkJOlVVS9jzo9p7T10" data-name="The Only Ones">The Only Ones</a> again on Italians Do It Better.
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