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Data updated on 2025-01-15 16:16:40 UTC
GALUH is a music project created by Indonesian singer/songwriter and producer, Galuh Kusuma. Her general music genre is experimental electronic triphop with a nuance of jazz and blues vocals.
In 2016 she began actively performing solo as GEELANAGIG in Kuala Lumpur - Malaysia. In the span of 5 years, which started as a solo then became a band group with other musicians such as Carlos Rey (Venezuela/Colombia), Aerrichi Setiawan (Indonesia), Moe Shadi (Sudan), Ali Atef (Iran) and others.
Performing in a number of Jazz or Rock events in Kuala Lumpur.
In 2022, Galuh decided to recreate a new image under the umbrella name of GALUH, where she opened doors in collaboration with other artists such as Bloodlyne, Joudy and Dilkadesh.
She continues to take her music with electronic approach of hip hop-driven compositions and trip-hop beats and atmospheres. Taking inspiration from Javanese or other Asian patterns and the electronic music of the beginning of the century, which aims to portray a sonic landscape mixing elements from the east and the west.
In 2016 she began actively performing solo as GEELANAGIG in Kuala Lumpur - Malaysia. In the span of 5 years, which started as a solo then became a band group with other musicians such as Carlos Rey (Venezuela/Colombia), Aerrichi Setiawan (Indonesia), Moe Shadi (Sudan), Ali Atef (Iran) and others.
Performing in a number of Jazz or Rock events in Kuala Lumpur.
In 2022, Galuh decided to recreate a new image under the umbrella name of GALUH, where she opened doors in collaboration with other artists such as Bloodlyne, Joudy and Dilkadesh.
She continues to take her music with electronic approach of hip hop-driven compositions and trip-hop beats and atmospheres. Taking inspiration from Javanese or other Asian patterns and the electronic music of the beginning of the century, which aims to portray a sonic landscape mixing elements from the east and the west.
Total plays
3,603
Updated on 2025-01-15
Social media links
Monthly listeners
19
Followers
198
