Last updated: 11 hours ago
Gil Goldstein, an excellent pianist and synthesizer player, actually started on the accordion. In the late '80s, he resumed doubling on it for special occasions, such as a recording project for <a href="spotify:artist:13kHQ586h4Lm9iwVyS2b3K">Michel Petrucciani</a> and for his own sessions. Earlier, Goldstein had picked up important experience playing with <a href="spotify:artist:4DlMMgnldzX6OkCskmeGKz">Pat Martino</a>, <a href="spotify:artist:1nJ6xAezipbTOdKAqOKIoP">Jim Hall</a>, <a href="spotify:artist:0IwfuIL3gUJxjzUqY3wJ3j">Billy Cobham</a>, <a href="spotify:artist:7g9DeYASD3RzlT4kDchsQZ">the Gil Evans Orchestra</a> (starting in 1983), and <a href="spotify:artist:0ZqhrTXYPA9DZR527ZnFdO">Wayne Shorter</a>. In 1991, he helped in reconstructing <a href="spotify:artist:7g9DeYASD3RzlT4kDchsQZ">Gil Evans</a>' arrangements for <a href="spotify:artist:0kbYTNQb4Pb1rPbbaF0pT4">Miles Davis</a>' Montreux Jazz Festival concert and he has recorded as a leader for Chiaroscuro (1977), Muse, Blue Note, World Pacific, and Big World. Generally, Gil Goldstein's music grooves while utilizing the influences of other cultures (particularly Latin America). ~ Scott Yanow, Rovi
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