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Usually, "side projects" offer an outlet for renowned rockers to explore sounds and approaches that they are not normally affiliated with. Case in point, Goon Moon. Led by ex-<a href="spotify:artist:2VYQTNDsvvKN9wmU5W7xpj">Marilyn Manson</a> bassist <a href="spotify:artist:6dH1EFk5XXM2orJBljsTr9">Twiggy Ramirez</a> (who has since become a touring hired gun for <a href="spotify:artist:4DFhHyjvGYa9wxdHUjtDkc">A Perfect Circle</a> and <a href="spotify:artist:0X380XXQSNBYuleKzav5UO">Nine Inch Nails</a>) and <a href="spotify:artist:6I96egIonnFBY26MprKYKb">Masters of Reality</a>'s <a href="spotify:artist:4c3K7AJQrxT3y25XHyPI04">Chris Goss</a> (also known for producing some of the best albums by <a href="spotify:artist:3HCpwNmFp2rvjkdjTs4uxs">Kyuss</a> and <a href="spotify:artist:4pejUc4iciQfgdX6OKulQn">Queens of the Stone Age</a>), the group also includes drummer <a href="spotify:artist:3GjsFPyuCazKeKgVzMg6Om">Zach Hill</a>, from noise rockers <a href="spotify:artist:1n861RIk6CTAWncgHR9UHg">Hella</a>.

<a href="spotify:artist:4c3K7AJQrxT3y25XHyPI04">Goss</a> first discovered <a href="spotify:artist:6dH1EFk5XXM2orJBljsTr9">Ramirez</a> after catching an early <a href="spotify:artist:2VYQTNDsvvKN9wmU5W7xpj">Marilyn Manson</a> show at the Whiskey a Go Go. The pair soon became friends, and when <a href="spotify:artist:4c3K7AJQrxT3y25XHyPI04">Goss</a> realized that <a href="spotify:artist:6dH1EFk5XXM2orJBljsTr9">Ramirez</a> helped co-pen many of his favorite <a href="spotify:artist:2VYQTNDsvvKN9wmU5W7xpj">Manson</a> tracks (including one of their best-known hits, "The Beautiful People") and had a similar schizophrenic appreciation of music styles, they began jamming together and penning songs. After <a href="spotify:artist:6dH1EFk5XXM2orJBljsTr9">Ramirez</a> left <a href="spotify:artist:2VYQTNDsvvKN9wmU5W7xpj">Manson</a>'s band, these sessions became more regular, and it was at one of these get-togethers that <a href="spotify:artist:6dH1EFk5XXM2orJBljsTr9">Ramirez</a> brought along drummer <a href="spotify:artist:3GjsFPyuCazKeKgVzMg6Om">Hill</a> to join in on the fun (with <a href="spotify:artist:6dH1EFk5XXM2orJBljsTr9">Ramirez</a> and <a href="spotify:artist:4c3K7AJQrxT3y25XHyPI04">Goss</a> splitting vocal duties, and playing various instruments).

With no expectations or pressure from a record label, the trio recorded a vast amount of songs at Rancho de la Luna by early 2005 (rumored to be around 50). From this pool of songs, the trio assembled a ten-track/just-under-30-minute EP, I Got a Brand New Egg Layin' Machine (whose title comes from an episode of the TV show Green Acres). Released in June 2005 on the Suicide Squeeze label, the EP was a very unpredictable recording -- incorporating a wide variety of musical styles, with little reference points to the hard rock that <a href="spotify:artist:6dH1EFk5XXM2orJBljsTr9">Ramirez</a> and <a href="spotify:artist:4c3K7AJQrxT3y25XHyPI04">Goss</a> are known for.

Goon Moon planned to tour in support of I Got a Brand New Egg Layin' Machine, but with <a href="spotify:artist:6dH1EFk5XXM2orJBljsTr9">Ramirez</a> committed to <a href="spotify:artist:0X380XXQSNBYuleKzav5UO">Nine Inch Nails</a> for most of 2005, they were put on hold. Up next for Goon Moon should be a full-length release, which will undoubtedly showcase some of the tracks that went unused for the EP. ~ Greg Prato, Rovi

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