Last updated: 5 days ago
Hamzah Mayaki is not just a voice, he is a vessel. A storyteller who dares to name what many fear to feel. With his debut spoken word project, “The Side Effect,” Hamzah walks the shadowed paths of pain, grief, and death, not as tragedies, but as transformations.
Each piece in the trilogy serves as an offering. Raw, stripped of performance, and heavy with truth, this body of work reflects what happens after the breaking… when language tries to hold what memory cannot.
Born from personal storms and spiritual searching, Hamzah’s work sits at the intersection of poetry, vulnerability, and existential clarity.
“The Side Effect” isn’t just a project, it’s an emotional archive. A permission slip for anyone grieving something unseen, and a call to honor the parts of us that hurt, heal, and remember.
This is not art for the perfect.
This is art for the ones still breathing through what broke them.
Each piece in the trilogy serves as an offering. Raw, stripped of performance, and heavy with truth, this body of work reflects what happens after the breaking… when language tries to hold what memory cannot.
Born from personal storms and spiritual searching, Hamzah’s work sits at the intersection of poetry, vulnerability, and existential clarity.
“The Side Effect” isn’t just a project, it’s an emotional archive. A permission slip for anyone grieving something unseen, and a call to honor the parts of us that hurt, heal, and remember.
This is not art for the perfect.
This is art for the ones still breathing through what broke them.
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