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History at Our Disposal is a multimedia group driven by <a href="spotify:artist:5tprabU4OK615XXdzbvoH2" data-name="Jason Reimer">Jason Reimer</a> born out of four-track tapes, soundtrack music and improvisation. Initially "HAOD" was an experimental musical outlet for various ideas. Over time it become a bridge for conceptual performance ideas that blur the line between high art and rock band. Performances like the “Cellphone Improvisation” show with HAOD featuring a live feed of cellphone photos taken all over the nation then emailed and projected while the band performed a live soundtrack.
"It's like a Tape Op dream." - the battering room
"... it’s gravy to hear a release with even an iota of the unfamiliar; to hear a band as out-there as History
At Our Disposal is a flat-out boon." - Skyscraper Magazine
“[HAOD] at full power and with a great idea can transport you somewhere wonderful, awe-inspiring and perhaps a little scary.” - Impose Magazine Dan Berkman
... “Symbols...” is one album that you don’t want to find yourself listening to when you’re home alone in the middle of the night while a thunderstorm is brewing. -Chris Pacifico Soundcheck Mag.
"...resemblance to Califone as fronted by Ian McKaye with a June of 44 vibe..." - QCLA
"It's like a Tape Op dream." - the battering room
"... it’s gravy to hear a release with even an iota of the unfamiliar; to hear a band as out-there as History
At Our Disposal is a flat-out boon." - Skyscraper Magazine
“[HAOD] at full power and with a great idea can transport you somewhere wonderful, awe-inspiring and perhaps a little scary.” - Impose Magazine Dan Berkman
... “Symbols...” is one album that you don’t want to find yourself listening to when you’re home alone in the middle of the night while a thunderstorm is brewing. -Chris Pacifico Soundcheck Mag.
"...resemblance to Califone as fronted by Ian McKaye with a June of 44 vibe..." - QCLA
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