Holy Sons

The long-running home-recording project of <a href="spotify:artist:4hCgC4FnYZLBgQPUMLOoiI">Om</a> and <a href="spotify:artist:3VdjlG06JkVAnZ19TR7ZHZ">Grails</a> member <a href="spotify:artist:4cPIDLukXi1xxmnwRQm7Ai">Emil Amos</a>, Holy Sons emerged in the late '90s with a sound steeped in lo-fi psychedelia and avant-garde folk. A multi-instrumentalist and prolific songwriter, <a href="spotify:artist:4cPIDLukXi1xxmnwRQm7Ai">Amos</a>' output has remained steady throughout the decades; his albums appear almost yearly, marked by highlights like Staying True to the Ascetic Roots (2002), Drifter's Sympathy (2009), and In the Garden (2016).

<a href="spotify:artist:4cPIDLukXi1xxmnwRQm7Ai">Emil Amos</a> started his solo project Holy Sons around 1992 after the dissolution of what would just be one early entry in a long line of bands. Holy Sons found <a href="spotify:artist:4cPIDLukXi1xxmnwRQm7Ai">Amos</a> turning to solo home recording, laying down hundreds of songs and sketches on the four-track as a type of personal therapy more than anything intended for public listening. Relocating from North Carolina to Portland, Oregon in 1999, <a href="spotify:artist:4cPIDLukXi1xxmnwRQm7Ai">Amos</a> was quickly immersed in the local music scene, helping to form the heavy instrumental act <a href="spotify:artist:3VdjlG06JkVAnZ19TR7ZHZ">Grails</a> in 2000. Holy Sons' first release surfaced not long after in the form of Lost Decade, a collection of tunes put to tape between 1994 and 1999. Albums Staying True to the Ascetic Roots and Enter the Uninhabitable followed at an annual rate, both tending toward a more full-band feel than the decidedly lo-fi earlier recordings. I Want to Live a Peaceful Life followed in 2003, officially taking the recording quality to higher ground. <a href="spotify:artist:3VdjlG06JkVAnZ19TR7ZHZ">Grails</a> toured Europe in 2004, and <a href="spotify:artist:4cPIDLukXi1xxmnwRQm7Ai">Amos</a> opened many of the shows as Holy Sons. Along with <a href="spotify:artist:3VdjlG06JkVAnZ19TR7ZHZ">Grails</a> and Holy Sons, <a href="spotify:artist:4cPIDLukXi1xxmnwRQm7Ai">Amos</a> became increasingly more active as a hired gun, filling in as part of pickup bands or one-off gigs with everyone from <a href="spotify:artist:1jeYbk5eqo6wgsQPjLeU5w">Daniel Johnston</a> to <a href="spotify:artist:3VFQDTjBkey4UCrrmnreLu">Jandek</a>. He also became involved with <a href="spotify:artist:4hCgC4FnYZLBgQPUMLOoiI">Om</a> and would eventually form the more production-minded electronic project <a href="spotify:artist:3RLmwfhrVzVSdo82pagPjd">Lilacs & Champagne</a> shortly before a relocation to Brooklyn in the early 2010s. All the while, Holy Sons' output was steady, with new albums or collections of older recordings coming every few years on various labels. In 2014, <a href="spotify:search:label%3A%22Thrill+Jockey%22">Thrill Jockey</a> released The Fact Facer, a return to the project's murky roots. <a href="spotify:artist:4cPIDLukXi1xxmnwRQm7Ai">Amos</a> went so far as to use backup musicians (Brain Markham and Adam Bulgasem of <a href="spotify:artist:5q35XlMsagTXv2R48zJkkn">Dommengang</a>) to play the songs in both Portland and Brooklyn, so Holy Sons could assemble in a bicoastal fashion whenever the occasion called for it. The follow-up album, Fall of Man, was recorded in both places with co-producers Brandon Eggleston, Al Carlson, and Jeff Saltzman, and released by <a href="spotify:search:label%3A%22Thrill+Jockey%22">Thrill Jockey</a> in the late summer of 2015. In 2016, Holy Sons returned with '70s pop/rock-influenced In the Garden. Produced by John Agnello (<a href="spotify:artist:5UqTO8smerMvxHYA5xsXb6">Sonic Youth</a>, <a href="spotify:artist:267VY6GX5LyU5c9M85ECZQ">Dinosaur Jr.</a>, <a href="spotify:artist:6paRdA1dkAEb0dWcIS4TOp">Buffalo Tom</a>), the album included the single "It's My Feeling." He returned two years later with Lost Decade III, followed in 2020 by Raw and Disfigured. ~ Fred Thomas, Rovi