Last updated: 6 hours ago
New York City-born, Twin Cities-based indie rock band Hurrah A Bolt of Light is a living portfolio documenting the constant evolution of its main songwriter, Wil Farr. Whether it’s sound, format, or home base, change is considered fundamental to Hurrah’s creative process.
To date, Hurrah has released two full length albums and numerous singles. Its previous album was a shiny, pop album recorded in LA. Its latest release retains Hurrah’s penchant for hooks, but does so in a darkly alluring context that subverts all pop conventions. AN/ANIMAL, out January 2022, is Hurrah’s long-awaited “visual album.” It’s an ambitious artistic offering that pairs a 16-minute piece of music to be released in four movements with a stunning long-form video.
Wil is the sonic curator of Hurrah, and he is a multi-instrumentalist with a rock background and an affinity for abstract soundscapes. Wil’s work seeks to balance artistic fearlessness and creative wanderlust with a reverence for pop music.
Hurrah’s music has been favorably described as “pop music for sad people.” It’s an aptly broad description that fits Wil’s restless creativity which defies genres, though Wil’s songwriting has drawn comparisons to Bruce Springsteen, Tom Petty, Modest Mouse, and Kings of Leon. Live Hurrah, is frenetic and sweat-soaked with Wil as the lightning-rod epicenter, leading his ensemble through a catalog of songs that feel instantly familiar and anthemic.
To date, Hurrah has released two full length albums and numerous singles. Its previous album was a shiny, pop album recorded in LA. Its latest release retains Hurrah’s penchant for hooks, but does so in a darkly alluring context that subverts all pop conventions. AN/ANIMAL, out January 2022, is Hurrah’s long-awaited “visual album.” It’s an ambitious artistic offering that pairs a 16-minute piece of music to be released in four movements with a stunning long-form video.
Wil is the sonic curator of Hurrah, and he is a multi-instrumentalist with a rock background and an affinity for abstract soundscapes. Wil’s work seeks to balance artistic fearlessness and creative wanderlust with a reverence for pop music.
Hurrah’s music has been favorably described as “pop music for sad people.” It’s an aptly broad description that fits Wil’s restless creativity which defies genres, though Wil’s songwriting has drawn comparisons to Bruce Springsteen, Tom Petty, Modest Mouse, and Kings of Leon. Live Hurrah, is frenetic and sweat-soaked with Wil as the lightning-rod epicenter, leading his ensemble through a catalog of songs that feel instantly familiar and anthemic.
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