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After 3 years of silence, Isaac Delusion returns with an unexpected fourth album "Lost and found". Formed in 2012 and survivors of the Anglo-Saxon-influenced 2010’s French scene, the project’s longevity is set apart in a world of ever-changing tastes and trends.
Over the past ten years, Isaac Delusion has released three acclaimed albums : «Isaac Delusion»
(2014), «Rust & Gold» (2017) and «Uplifters» (2020). Each successive work has born witness to an
ongoing musical evolution, testimony to the group’s ceaseless exploration and experimentation.
Those qualities have won Isaac Delusion a wide audience, notably with such flagship titles as «She
Pretends», «Midnight Sun», and «Isabella».
As timeless music par excellence, pop has always had many fans, and the band’s audience has
remained loyal from the very start. Perhaps this is because Isaac Delusion masters the codes of An-
glo-Saxon pop to perfection, as well as the strong personal touch they offer, as exemplified by the
inimitable vocal imprint of the leader singer/songwriter, Loïc. While the latter cites the inspiration
of such artists as Phoenix, James Blake, Sufjan Stevens, and even the angelic folk of Angelo De
Augustine, this is more a question of shared sensitivities than direct influence.
Over the past ten years, Isaac Delusion has released three acclaimed albums : «Isaac Delusion»
(2014), «Rust & Gold» (2017) and «Uplifters» (2020). Each successive work has born witness to an
ongoing musical evolution, testimony to the group’s ceaseless exploration and experimentation.
Those qualities have won Isaac Delusion a wide audience, notably with such flagship titles as «She
Pretends», «Midnight Sun», and «Isabella».
As timeless music par excellence, pop has always had many fans, and the band’s audience has
remained loyal from the very start. Perhaps this is because Isaac Delusion masters the codes of An-
glo-Saxon pop to perfection, as well as the strong personal touch they offer, as exemplified by the
inimitable vocal imprint of the leader singer/songwriter, Loïc. While the latter cites the inspiration
of such artists as Phoenix, James Blake, Sufjan Stevens, and even the angelic folk of Angelo De
Augustine, this is more a question of shared sensitivities than direct influence.
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