Last updated: 12 hours ago
ISABEL DO DIEGO develops an austere, brutalist and sacred folklore in her musical work.
ISABEL DO DIEGO's electronic “quejío” (flamenco voice) opens a body on the run that draws a new perspective on Andalusian folklore. His music is a folkloric prosthesis that transcends the spaces that flesh cannot inhabit. A hybrid being that walks between the human, the animal and the spiritual.
Between rural familiarity and futuristic estrangement, ISABEL DO DIEGO inhabits in her music screams and whispers, traditional melodies along with broken sonorities, rural and industrial echoes, heretical messages with prayers, sexual fantasies and chaste emotions. And a lot of beats, samplers and synths. His singing is monstrous under sacred electronics. A sound illusion that, as an allegory, is neither rational nor classifiable, but rather shows the mystery that we keep under our skin in the form of a musical ceremony.
ISABEL DO DIEGO's electronic “quejío” (flamenco voice) opens a body on the run that draws a new perspective on Andalusian folklore. His music is a folkloric prosthesis that transcends the spaces that flesh cannot inhabit. A hybrid being that walks between the human, the animal and the spiritual.
Between rural familiarity and futuristic estrangement, ISABEL DO DIEGO inhabits in her music screams and whispers, traditional melodies along with broken sonorities, rural and industrial echoes, heretical messages with prayers, sexual fantasies and chaste emotions. And a lot of beats, samplers and synths. His singing is monstrous under sacred electronics. A sound illusion that, as an allegory, is neither rational nor classifiable, but rather shows the mystery that we keep under our skin in the form of a musical ceremony.
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