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Data updated on 2024-04-04 14:04:41 UTC
Jared Mattson is one half of the duo Mattson 2, and, as his debut album Peanut, proves, one very formidable solo act. He first came on the scene with his identical twin, Jonathan Mattson on drums, honing a sound pulled fully through bebop but also streaked with surf-rock. And both with his brother and in his own evolution as a player and songwriter, he’s been surprising and igniting listeners and audiences ever since.
In a career of novel pivots, Paradise, in 2019, showed off the duo’s newly honed pop instincts and, most notably for Jared, featured his lead vocals for the first time. Now, Jared has brought those talents and, in the tradition of Paul McCartney’s and Prince’s debut solo albums, released a solo album in that truest sense: With the exception of Joe Lyle on drums and Anthony Ferraro on bass on “She Ran Away,” and Ferraro proving keys and backing vocals on three other tracks, the guitar, bass, drum programming, and keyboard work all come from the fingertips and musical brain of Jared.
The result is a pure, fully realized pop album that manages to be not at all familiar, with songs that air on the side of restraint vs. bombast. It’s also the work of an ever-flourishing and inventive guitarist who has reimagined the use of his main instrument for music whose influences come from all over the airwaves but that add up to a sound that is entirely original.
In a career of novel pivots, Paradise, in 2019, showed off the duo’s newly honed pop instincts and, most notably for Jared, featured his lead vocals for the first time. Now, Jared has brought those talents and, in the tradition of Paul McCartney’s and Prince’s debut solo albums, released a solo album in that truest sense: With the exception of Joe Lyle on drums and Anthony Ferraro on bass on “She Ran Away,” and Ferraro proving keys and backing vocals on three other tracks, the guitar, bass, drum programming, and keyboard work all come from the fingertips and musical brain of Jared.
The result is a pure, fully realized pop album that manages to be not at all familiar, with songs that air on the side of restraint vs. bombast. It’s also the work of an ever-flourishing and inventive guitarist who has reimagined the use of his main instrument for music whose influences come from all over the airwaves but that add up to a sound that is entirely original.
Monthly listeners
1,060
Followers
639
Top Cities
Most popular tracks
Track | Plays | Duration | Release date | |
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140,747 | 6:18 | 2023-01-18 | |
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11,184 | 4:30 | 2023-03-07 | |
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6,906 | 3:10 | 2023-02-15 | |
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5,648 | 1:28 | 2023-03-31 | |
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5,592 | 5:42 | 2023-03-31 | |
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3,358 | 9:31 | 2023-03-31 | |
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2,200 | 2:50 | 2023-03-31 | |
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2,179 | 5:20 | 2023-03-31 | |
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1,830 | 3:27 | 2023-03-31 | |
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1,510 | 0:51 | 2023-03-31 |