Last updated: 8 hours ago
Jessie Gosling is a singer-songwriter, producer, and recording engineer from Barrie, Ontario. Rooted in folk traditions and shaped by her love of country, rock, and jazz music, she explores genres and creates a lasting impact with vivid imagery with emotional depth. Her latest EP, Names We Keep (July 2025), is an exploration of memory, identity, and transformation. Drawing upon new collaborators and skills, the project demonstrates Jessie’s development as a songwriter and producer.
A graduate of Humber College’s Bachelor of Music program, Jessie has released a growing body of work, including her 2021 debut Forewarning, a haunting single, Slow Descent (2025), and Something is Awake (2023), a five-track EP recorded as part of the intercultural band Carmine. Her songwriting draws inspiration from artists like Joni Mitchell, Linda Perhacs, and Adrianne Lenker, echoing themes of love, family, and self-reflection with lyrical nuance and haunting harmony.
As a sound engineer, Jessie has recorded and mixed for artists across Toronto, combining technical precision with a musical ear. She is currently participating in the Banff Centre’s Jazz and Sonic Arts audio program and will be continuing her studies in sound recording at McGill University.
“When I brought my songs to my family, it felt like a new kind of conversation — one that let me explain how I saw the world before I even had the words. Writing music still feels like that to me.”
A graduate of Humber College’s Bachelor of Music program, Jessie has released a growing body of work, including her 2021 debut Forewarning, a haunting single, Slow Descent (2025), and Something is Awake (2023), a five-track EP recorded as part of the intercultural band Carmine. Her songwriting draws inspiration from artists like Joni Mitchell, Linda Perhacs, and Adrianne Lenker, echoing themes of love, family, and self-reflection with lyrical nuance and haunting harmony.
As a sound engineer, Jessie has recorded and mixed for artists across Toronto, combining technical precision with a musical ear. She is currently participating in the Banff Centre’s Jazz and Sonic Arts audio program and will be continuing her studies in sound recording at McGill University.
“When I brought my songs to my family, it felt like a new kind of conversation — one that let me explain how I saw the world before I even had the words. Writing music still feels like that to me.”