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Southern German experimental pop duo Joasihno – initial solo founder Cico Beck ( <a href="spotify:artist:1o4xLcugkCtDDOw7POAMha" data-name="The Notwist">The Notwist</a>, <a href="spotify:artist:1zgMqouFEVQZ7tsinYMPzW" data-name="Aloa Input">Aloa Input</a>, <a href="spotify:artist:1pa1czQVBBys9koDmNMBRB" data-name="Spirit Fest">Spirit Fest</a>) and drummer/composer Nico Sierig (<a href="spotify:artist:1IsSRtMGl6n1s02HxNDhLw" data-name="Instrument">Instrument</a>, <a href="spotify:artist:4Atk4tGFbnI1Rm6RHSlQFZ" data-name="Fehler Kuti">Fehler Kuti</a>) – seem to know exactly when it’s time to shine. Idiosyncratic genre tweakers since day one, they have been operating at their own pace, mostly staying in their own shady corner. Yet, almost a decade after their most recent “Meshes” (an album that came with a whole legion of tiny music robots), it’s high time for them to take over more corners, to reclaim even more spots between lo-fi and sci-fi, retro electronica and contemporary classic. Drawing upon influences as varied as Reich, Riley, and Ryuichi, múm, Meek, and Moondog, while also nodding to other experimental twosomes (e.g. The Books), the duo’s fourth full-length “Spots” is set to arrive via Alien Transistor in late 2025.
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