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As a child, <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a> spent time in California, Utah, Wyoming, Nebraska, South Dakota, Georgia, and Arizona. Music was one of the few constants in a life filled with new towns, new schools, and new friends, and he took comfort in bands like <a href="spotify:artist:3yY2gUcIsjMr8hjo51PoJ8">the Smiths</a> and <a href="spotify:artist:7bu3H8JO7d0UbMoVzbo70s">the Cure</a>. After receiving several guitar lessons from his uncle, <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a> began writing songs as an 18-year-old and molded himself into a skilled composer, eventually scoring a contract with the <a href="spotify:search:label%3A%22Rykodisc%22">Rykodisc</a> subsidiary <a href="spotify:search:label%3A%22Slow+River%22">Slow River</a>. His debut album, Dressed Up Like Nebraska, was released in 1998 to widespread critical acclaim. He pulled up stakes shortly thereafter and resettled in Nashville, where he was befriended by <a href="spotify:artist:26Fn0TaiSMe2NjNHWiWcuA">Kurt Wagner</a>, frontman of the chamber country group <a href="spotify:artist:2Lhs0asnFQiLuntn3s8p78">Lambchop</a>. The two began writing together and issued a collaborative EP, Chester, in the fall of 1999.
<a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a>'s second solo record, Home, appeared the following spring and was followed by Under Cold Blue Stars in 2002. He then launched a partnership with producer <a href="spotify:artist:38t2TkO4VS8GYhlnZtnUgW">Brad Jones</a> -- known for his work with pop artists like <a href="spotify:artist:73YLmyaazO66GncUVHP0KV">Marshall Crenshaw</a>, <a href="spotify:artist:2idymNTKUdnTxforkb12Mw">Matthew Sweet</a>, and <a href="spotify:artist:16BoY9HfrtxVodHVdgad07">Jill Sobule</a> -- and the resulting album, 1972, was both an homage to the soft rock sounds of <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a>'s youth and a deepening of his sound. Before the release of his next album, however, <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a>'s marriage ended and he moved from Nashville to Spain. Released in 2005, Nashville served as a farewell to both the city and his marriage; it was also his most fully realized record to date, featuring <a href="spotify:artist:38t2TkO4VS8GYhlnZtnUgW">Brad Jones</a>' lush production and <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a>'s poignant, nostalgic lyrics.
Once in Spain, <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a> settled in the small seaside town of Puerto de Santa Maria and began writing songs shaped by his new surroundings. <a href="spotify:artist:38t2TkO4VS8GYhlnZtnUgW">Jones</a> eventually flew into town, and the two captured a relaxed and intimate vibe on 2006's Subtitulo. After the release of two EPs (Bedroom Classics, Vol. 2 and She's Spanish, I'm American, the latter of which was recorded with <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a>'s future wife, artist Paz Suay), <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a> chose to handle his own production for 2007's Country Mouse City House and relocated to Valencia's Mediterranean coast.
<a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a>'s eighth studio album, El Turista, was released in 2010, a full five years after his relocation to Spain. Living abroad for half-a-decade had left an indelible mark on the songwriter, who sang several of the album's tracks in Spanish. Ironically, the bulk of El Turista was recorded in Nashville with <a href="spotify:artist:38t2TkO4VS8GYhlnZtnUgW">Brad Jones</a>, a move that only strengthened the globe-trotting appeal of <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a>'s songwriting. For the 2011 release Josh Rouse & the Long Vacations, the singer/songwriter drew from the AM radio sounds he grew up with, as well as present-day influences from his adopted home of Spain. His next album, 2013's The Happiness Waltz, jettisoned all the Spanish influences and returned to the sound of his early-2000s albums. After tumbling into depression and questioning many of his life choices, <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a> went into therapy, and his experiences informed his 2015 release The Embers of Time, which <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a> described with tongue in cheek as "my surreal ex-pat therapy record." Taking a different tack altogether, his next release bore the influences of thoughtful '80s pop acts like <a href="spotify:artist:3loflELg7MzgrOyNqERolN">the Style Council</a>, <a href="spotify:artist:1GWV70Reko15eV2nHCm0bM">the Blue Nile</a>, and <a href="spotify:artist:4w3QqrcmBv8dasemwBXmxf">Prefab Sprout</a>. Lusher and lighter in touch than Embers, 2018's Love in the Modern Age favored warm synths over acoustic guitar and bore a distinctive New Romantic flavor. 2019 saw the release of <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a>'s first holiday album, a collection of original Yuletide songs titled The Holiday Sounds of Josh Rouse. During the global pandemic in 2020 <a href="spotify:artist:4WjOiUFD5b9kpa8LfdxkvM">Rouse</a> began work on a new album, recording himself at home. His intention was to create a set of stripped-down, low-key rock songs to play in a local club that was run by some of his Spanish bandmates. Released in July 2022, Going Places had a pleasantly loose, organic vibe consisting largely of his electric guitar and a punchy rhythm section. ~ Andrew Leahey, Rovi
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Total Streams
101.8 million
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