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After years of writing and releasing music in the power-pop and singer-songwriter world, Justin Levinson is stepping into a new chapter under the name JX Levinson, unveiling his debut classical album Sans Paroles on September 9th, 2025.
French for “without words,” Sans Paroles is both a personal and artistic reinvention.
“For the past ten years, the lyrics just weren’t showing up,” Levinson shares. “I had hundreds of instrumental song fragments saved in voice memos, but no words. That used to really bum me out. Until one day, I thought: maybe these melodies don’t need words.”
What started as fragments of piano recordings evolved into a lush, emotionally charged orchestral experience. Co-produced with Nathaniel Wolkstein, Sans Paroles aims to take listeners on a journey that feels both intimate and cinematic—a romantic arc that moves from the thrill of a first meeting to heartbreak, turbulence, and finally reconciliation after a long silence.
“It’s darker at times, more dramatic—deeply romantic in places—but also full of hope,” says Levinson. “It felt like scoring a film that didn’t exist yet.”
For Levinson, Sans Paroles is a quiet turning point—a body of work that leans into feeling over language, and lets the music carry the story
French for “without words,” Sans Paroles is both a personal and artistic reinvention.
“For the past ten years, the lyrics just weren’t showing up,” Levinson shares. “I had hundreds of instrumental song fragments saved in voice memos, but no words. That used to really bum me out. Until one day, I thought: maybe these melodies don’t need words.”
What started as fragments of piano recordings evolved into a lush, emotionally charged orchestral experience. Co-produced with Nathaniel Wolkstein, Sans Paroles aims to take listeners on a journey that feels both intimate and cinematic—a romantic arc that moves from the thrill of a first meeting to heartbreak, turbulence, and finally reconciliation after a long silence.
“It’s darker at times, more dramatic—deeply romantic in places—but also full of hope,” says Levinson. “It felt like scoring a film that didn’t exist yet.”
For Levinson, Sans Paroles is a quiet turning point—a body of work that leans into feeling over language, and lets the music carry the story
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