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KAAMA, born Andrews Konadu Dwumah on May 22, 2000, emerges as one of Ghana's captivating Afrobeat and Afropop talents. Hailing from Tanoso in the Ashanti region of Ghana, he has carved out a niche for himself in the vibrant tapestry of West African music. KAAMA, who is also affectionately known by other monikers such as NKay and K Flint, has a musical style that seamlessly blends traditional Ghanaian elements with modern pop sensibilities, resulting in a sound that is both fresh and rooted in cultural heritage.
KAAMA's journey into the heart of the music industry began under the wings of Tiaso Music Production, a record label owned by Bra HL. His time with the label was a period of artistic growth and exposure, though he eventually parted ways with them in 2022. This departure marked a new chapter in his career as he continued to evolve and push his creative boundaries.
Over the years, KAAMA has built an impressive repertoire of songs that resonate with a wide audience. Tracks like “Y’AYE KOOM Ft Dowsha X Winter Legend”, “End in Tears”, and “Anwumere ft Mophty Legacy” showcase his ability to craft engaging lyrics and catchy melodies. Furthermore, his collaboration on “Atanfo ft Bra HL, Mophty Legacy and Nana Igwe” exemplifies his skill in working synergistically with other artists to produce compelling music.
One of KAAMA's significant breakthroughs came with his cover of Kidi’s song "End in Tears", which not only showcased his vocal prowess but also earned him his first substantial online traction with over 10,000 streams on Audiomack. This cover was a pivotal moment in his career, earning him wider recognition and proving his ability to reinterpret existing hits with his unique twist.
In 2023, KAAMA reached new heights with his track “ADE ASA”, which quickly became the most popular song in his catalog. This song alone accrued more than 20,753 streams on Spotify, contributing to his growing total of over 45,165 streams on the platform. The success of “ADE ASA” not only solidified KAAMA's presence in the Afrobeat scene but also highlighted his growth as an artist capable of producing tracks that appeal to a global audience.
Besides his impressive streaming numbers, KAAMA's influence extends into the cultural realms of Ghana. His track "Y’AYE KOOM" was not only a success in digital formats but also became a street anthem, echoing through the alleys and boulevards of many communities. The song's impact was further amplified when it caught the attention of Magraheb, leading to broader media exposure and discussions about his music.
As KAAMA continues to develop his career, his music increasingly serves as a bridge that connects traditional Ghanaian music with contemporary sounds, appealing to both young and older audiences. His ability to embrace his cultural roots while innovating within the Afropop genre positions him as a significant figure in the ever-evolving African music scene.
KAAMA's journey is a testament to the dynamic and diverse nature of modern African music. As he moves forward, his followers and new listeners alike eagerly anticipate how his musical landscape will expand, bringing more of his vibrant and heartfelt tunes to the world stage.
KAAMA's journey into the heart of the music industry began under the wings of Tiaso Music Production, a record label owned by Bra HL. His time with the label was a period of artistic growth and exposure, though he eventually parted ways with them in 2022. This departure marked a new chapter in his career as he continued to evolve and push his creative boundaries.
Over the years, KAAMA has built an impressive repertoire of songs that resonate with a wide audience. Tracks like “Y’AYE KOOM Ft Dowsha X Winter Legend”, “End in Tears”, and “Anwumere ft Mophty Legacy” showcase his ability to craft engaging lyrics and catchy melodies. Furthermore, his collaboration on “Atanfo ft Bra HL, Mophty Legacy and Nana Igwe” exemplifies his skill in working synergistically with other artists to produce compelling music.
One of KAAMA's significant breakthroughs came with his cover of Kidi’s song "End in Tears", which not only showcased his vocal prowess but also earned him his first substantial online traction with over 10,000 streams on Audiomack. This cover was a pivotal moment in his career, earning him wider recognition and proving his ability to reinterpret existing hits with his unique twist.
In 2023, KAAMA reached new heights with his track “ADE ASA”, which quickly became the most popular song in his catalog. This song alone accrued more than 20,753 streams on Spotify, contributing to his growing total of over 45,165 streams on the platform. The success of “ADE ASA” not only solidified KAAMA's presence in the Afrobeat scene but also highlighted his growth as an artist capable of producing tracks that appeal to a global audience.
Besides his impressive streaming numbers, KAAMA's influence extends into the cultural realms of Ghana. His track "Y’AYE KOOM" was not only a success in digital formats but also became a street anthem, echoing through the alleys and boulevards of many communities. The song's impact was further amplified when it caught the attention of Magraheb, leading to broader media exposure and discussions about his music.
As KAAMA continues to develop his career, his music increasingly serves as a bridge that connects traditional Ghanaian music with contemporary sounds, appealing to both young and older audiences. His ability to embrace his cultural roots while innovating within the Afropop genre positions him as a significant figure in the ever-evolving African music scene.
KAAMA's journey is a testament to the dynamic and diverse nature of modern African music. As he moves forward, his followers and new listeners alike eagerly anticipate how his musical landscape will expand, bringing more of his vibrant and heartfelt tunes to the world stage.
Monthly listeners
1,138
Followers
77
Top Cities
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Bucharest36 listeners
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Lagos35 listeners
Most popular tracks
Track | Plays | Duration | Release date | |
---|---|---|---|---|
|
23,342 | 3:04 | 2023-02-10 | |
|
20,918 | 2:35 | 2023-07-27 | |
|
5,956 | 3:27 | 2022-11-26 | |
|
5,956 | 3:27 | 2023-06-14 | |
|
1,516 | 2:43 | 2022-06-18 | |
|
< 1000 | 2:26 | 2022-06-25 | |
|
< 1000 | 2:56 | 2022-09-24 | |
|
< 1000 | 2:26 | 2023-06-29 | |
|
< 1000 | 2:52 | 2024-01-19 | |
|
< 1000 | 2:60 | 2024-02-10 |