Last updated: 6 hours ago
Kinoco is more than a musical project for Flavio Jerome—it’s a reinvention. “It came about when I was in a tough place, financially and mentally,” he says. “I had to face that I might not be able to keep making music, and that was crushing.” With the cost of hiring producers and engineers unsustainable, Jerome made a bold decision: he would do everything himself. Writing, singing, producing, mixing—Kinoco would be fully self-sufficient.
That shift opened new creative doors. “Working alone, I had total freedom,” he explains. “No unspoken rules about genre. I could use any sounds I wanted, experiment however I liked.” This reinvention pushed his sound from singer-songwriter roots into a more electronic space, best captured on his debut track, Get Weird. “It wasn’t just about changing genres—it was about letting go of caring what people thought,” he says.
Each track tells a story. Lost in the Blue celebrates daydreaming. “It’s about being okay with escaping into your imagination,” Jerome says. In My Eyes sat unfinished for years. “It’s about that feeling artists get, wondering if they can keep going,” he says. And then there’s Fantasy, Kinoco’s biggest track to date. “It’s just me having fun—leaning into video game references, channeling Jamiroquai, letting go.”
That balance between introspection and playfulness defines Kinoco: a project born from necessity that became something bigger—a testament to artistic resilience and reinvention.
That shift opened new creative doors. “Working alone, I had total freedom,” he explains. “No unspoken rules about genre. I could use any sounds I wanted, experiment however I liked.” This reinvention pushed his sound from singer-songwriter roots into a more electronic space, best captured on his debut track, Get Weird. “It wasn’t just about changing genres—it was about letting go of caring what people thought,” he says.
Each track tells a story. Lost in the Blue celebrates daydreaming. “It’s about being okay with escaping into your imagination,” Jerome says. In My Eyes sat unfinished for years. “It’s about that feeling artists get, wondering if they can keep going,” he says. And then there’s Fantasy, Kinoco’s biggest track to date. “It’s just me having fun—leaning into video game references, channeling Jamiroquai, letting go.”
That balance between introspection and playfulness defines Kinoco: a project born from necessity that became something bigger—a testament to artistic resilience and reinvention.
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