We are currently migrating our data. We expect the process to take 24 to 48 hours before everything is back to normal.

Last updated: 4 hours ago

Liz Brasher released her tough-as-nails debut, Painted Image, in 2019. It cemented Brasher as an artist who wasn’t afraid to draw upon her experiences in order to paint a raw and authentic portrait of who she strives to be as an artist and person. Her background singing gospel hymns in a Spanish-speaking church provided the foundation, as well as her background as a Southern-bred woman with Dominican and Italian blood. Painted Image was the spark, but her forthcoming sophomore effort, Baby Damn, sees her flourish and her growth pronounced.

After signing with Blue Élan Records, Brasher — armed with her arsenal of demos that included ready-made harmonies, bass, drums, guitar, piano — headed into the studio to bring the songs she recorded alone to life. She hunkered down at the legendary Sunset Sound studio with famed producer Joe Chiccarelli and an all-star group of musicians, including Matt Chamberlain (drums), Sean Hurley (bass), Roger Manning (keys) and David Levita (guitar). My Morning Jacket’s Carl Broemel (pedal steel), Bones UK’s Carmen Vandenberg (guitar) and Oliver Kraus (cello) were enlisted during the overdubbing process. Brasher harnessed the angst she felt in Memphis and subsequent rebirth in Southern California to create a body of work that is intimately bold.

Monthly Listeners

3,294

Followers

4,953

Top Cities

48 listeners
48 listeners
39 listeners
36 listeners
35 listeners

Social Media