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Data updated on 2025-08-14 09:30:29 UTC
Massimo Silverio is a songwriter and musician born in 1992 in Cercivento (Udine) in the heart of the historical-geographical region of Carnia. He writes and sings in his native language, a minority language called “carnic” spoken in the Carnic Alps of Friuli Venezia Giulia.
Between the charm of the borderland and the tradition of an ancient language, Silverio has created his very personal aesthetic made of poetry and sounds, mixing classic and contemporary, folk and experimental, acoustic, electroacoustic and electronic.
A research began at a very young age which led him to the creation of an imaginary made of places, montains and rivers, faces and ancient rites translated into music through the use of classical instruments such as the cello, double bass, prepared percussion, piano or folk ones such as the guzla - instrument of the Dinaric Alps - but also synthesizers, guitars, organs and above all the voice which becomes the guide with its light and intimate timbre, mixing Carnic and English to tell a minority yet universal story.
His first record is called "Hrudja" and sees the production of Manuel Volpe (Rhabdomantic Orchestra) and Nicholas Remondino (LAMIEE.)
“Hrudja” is the Langobard ancestor of the word “Grusa” which in Friulian indicates the crust of a wound, a metaphor of rebirth and healing but also of a coat of arms, a memory of something that is disappearing.
Between the charm of the borderland and the tradition of an ancient language, Silverio has created his very personal aesthetic made of poetry and sounds, mixing classic and contemporary, folk and experimental, acoustic, electroacoustic and electronic.
A research began at a very young age which led him to the creation of an imaginary made of places, montains and rivers, faces and ancient rites translated into music through the use of classical instruments such as the cello, double bass, prepared percussion, piano or folk ones such as the guzla - instrument of the Dinaric Alps - but also synthesizers, guitars, organs and above all the voice which becomes the guide with its light and intimate timbre, mixing Carnic and English to tell a minority yet universal story.
His first record is called "Hrudja" and sees the production of Manuel Volpe (Rhabdomantic Orchestra) and Nicholas Remondino (LAMIEE.)
“Hrudja” is the Langobard ancestor of the word “Grusa” which in Friulian indicates the crust of a wound, a metaphor of rebirth and healing but also of a coat of arms, a memory of something that is disappearing.
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7,486
Followers
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104,711 | 4:49 | 2023-11-24 | |
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