Last updated: 9 hours ago
After 4 years slugging it out in the local doom scene, Master Leonard called it quits - deciding to play a final show on July 2024, adding in drummer Chris Stabback (Spirit Valley, Faker & OILS) to go out in a blaze of glory.
The show proved there was still life in the Leonard, it just needed the defibrillator of new blood, and a stronger rhythmic core.
Taking 8 months off to delve deep into the writing and rehearsal room, Master Leonard re-emerged with an album’s worth of material, and a hunger for the stage.
ML came ripping out of the gate, taking swings at all the old haunts, annihilating every Sydney venue they could, leaving in their wake a slew of new fans, and converted old ones.
In September they released their Colony // Bloodfather double-single, utilising the skills of Wade Keighran (Taking Sides, The Scare, Wolf & Cub) on production duties and receiving a savage mastering by Arthur Rizk (Power Trip, Blood Incantation, Cavalera Conspiracy et al).
The release showed a bloodthirsty Leonard, with renewed urgency, undeniable swagger, and relentless aggression. Unhinged vocals and chainsaw riffs sparring with doomsday bass tone and a relentless artillery of drums made for a brutal first release back. The Leonard had been taken off life support and given a shot of adrenaline right to the central nervous system.
Supporting Portland’s UADA later that year and NZ’s Beastwars set their boots further in motion down the path to glory.
The show proved there was still life in the Leonard, it just needed the defibrillator of new blood, and a stronger rhythmic core.
Taking 8 months off to delve deep into the writing and rehearsal room, Master Leonard re-emerged with an album’s worth of material, and a hunger for the stage.
ML came ripping out of the gate, taking swings at all the old haunts, annihilating every Sydney venue they could, leaving in their wake a slew of new fans, and converted old ones.
In September they released their Colony // Bloodfather double-single, utilising the skills of Wade Keighran (Taking Sides, The Scare, Wolf & Cub) on production duties and receiving a savage mastering by Arthur Rizk (Power Trip, Blood Incantation, Cavalera Conspiracy et al).
The release showed a bloodthirsty Leonard, with renewed urgency, undeniable swagger, and relentless aggression. Unhinged vocals and chainsaw riffs sparring with doomsday bass tone and a relentless artillery of drums made for a brutal first release back. The Leonard had been taken off life support and given a shot of adrenaline right to the central nervous system.
Supporting Portland’s UADA later that year and NZ’s Beastwars set their boots further in motion down the path to glory.