Last updated: 12 hours ago
Blessed with an extraordinary set of soaring pipes, McKinley Mitchell waxed a series of superb Chicago soul platters during the 1960s, later veering stylistically closer to contemporary blues in his last years of performing.
At age 16, Mitchell was already fronting a gospel group, the Hearts of Harmony, in Jackson. After spending time singing spirituals in Springfield, MS, and Philadelphia, Mitchell hit Chicago in 1958 and went secular. A rocking debut for the tiny Boxer label the next year preceded his signing with George Leaner's fledgling One-derful logo in 1961.
His first single for the firm, the gorgeous soul ballad "The Town I Live In," proved a national R&B hit and launched the imprint in high style. Mitchell's One-derful follow-ups, including the imaginative "A Bit of Soul," failed to equal the heights of his first single; neither did 45s for Chess (produced by <a href="spotify:artist:5v8WPpMk60cqZbuZLdXjKY">Willie Dixon</a>) and a variety of <a href="spotify:artist:5v8WPpMk60cqZbuZLdXjKY">Dixon</a>-owned labels.
Finally, in 1977, Mitchell returned to the R&B charts with "The End of the Rainbow," another beautiful R&B ballad, for Malaco's Chimneyville subsidiary. An eponymous LP for the label the next year stunningly showcased Mitchell's still-potent voice on a program that combined blues and soul material. A 1984 LP for Retta's, I Won't Be Back for More, was among the singer's last releases (by then, he was back living in Jackson). ~ Bill Dahl, Rovi
At age 16, Mitchell was already fronting a gospel group, the Hearts of Harmony, in Jackson. After spending time singing spirituals in Springfield, MS, and Philadelphia, Mitchell hit Chicago in 1958 and went secular. A rocking debut for the tiny Boxer label the next year preceded his signing with George Leaner's fledgling One-derful logo in 1961.
His first single for the firm, the gorgeous soul ballad "The Town I Live In," proved a national R&B hit and launched the imprint in high style. Mitchell's One-derful follow-ups, including the imaginative "A Bit of Soul," failed to equal the heights of his first single; neither did 45s for Chess (produced by <a href="spotify:artist:5v8WPpMk60cqZbuZLdXjKY">Willie Dixon</a>) and a variety of <a href="spotify:artist:5v8WPpMk60cqZbuZLdXjKY">Dixon</a>-owned labels.
Finally, in 1977, Mitchell returned to the R&B charts with "The End of the Rainbow," another beautiful R&B ballad, for Malaco's Chimneyville subsidiary. An eponymous LP for the label the next year stunningly showcased Mitchell's still-potent voice on a program that combined blues and soul material. A 1984 LP for Retta's, I Won't Be Back for More, was among the singer's last releases (by then, he was back living in Jackson). ~ Bill Dahl, Rovi
Monthly Listeners
10,411
Monthly Listeners History
Track the evolution of monthly listeners over the last 28 days.
Followers
2,123
Followers History
Track the evolution of followers over the last 28 days.
Top Cities
420 listeners
333 listeners
320 listeners
314 listeners
204 listeners
Related Artists
Frank Lucas
Carl Sims
Poonanny
Floyd Taylor
Soul Children
