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Blessed with an extraordinary set of soaring pipes, McKinley Mitchell waxed a series of superb Chicago soul platters during the 1960s, later veering stylistically closer to contemporary blues in his last years of performing.
At age 16, Mitchell was already fronting a gospel group, the Hearts of Harmony, in Jackson. After spending time singing spirituals in Springfield, MS, and Philadelphia, Mitchell hit Chicago in 1958 and went secular. A rocking debut for the tiny Boxer label the next year preceded his signing with George Leaner's fledgling One-derful logo in 1961.
His first single for the firm, the gorgeous soul ballad "The Town I Live In," proved a national R&B hit and launched the imprint in high style. Mitchell's One-derful follow-ups, including the imaginative "A Bit of Soul," failed to equal the heights of his first single; neither did 45s for Chess (produced by <a href="spotify:artist:5v8WPpMk60cqZbuZLdXjKY">Willie Dixon</a>) and a variety of <a href="spotify:artist:5v8WPpMk60cqZbuZLdXjKY">Dixon</a>-owned labels.
Finally, in 1977, Mitchell returned to the R&B charts with "The End of the Rainbow," another beautiful R&B ballad, for Malaco's Chimneyville subsidiary. An eponymous LP for the label the next year stunningly showcased Mitchell's still-potent voice on a program that combined blues and soul material. A 1984 LP for Retta's, I Won't Be Back for More, was among the singer's last releases (by then, he was back living in Jackson). ~ Bill Dahl, Rovi
At age 16, Mitchell was already fronting a gospel group, the Hearts of Harmony, in Jackson. After spending time singing spirituals in Springfield, MS, and Philadelphia, Mitchell hit Chicago in 1958 and went secular. A rocking debut for the tiny Boxer label the next year preceded his signing with George Leaner's fledgling One-derful logo in 1961.
His first single for the firm, the gorgeous soul ballad "The Town I Live In," proved a national R&B hit and launched the imprint in high style. Mitchell's One-derful follow-ups, including the imaginative "A Bit of Soul," failed to equal the heights of his first single; neither did 45s for Chess (produced by <a href="spotify:artist:5v8WPpMk60cqZbuZLdXjKY">Willie Dixon</a>) and a variety of <a href="spotify:artist:5v8WPpMk60cqZbuZLdXjKY">Dixon</a>-owned labels.
Finally, in 1977, Mitchell returned to the R&B charts with "The End of the Rainbow," another beautiful R&B ballad, for Malaco's Chimneyville subsidiary. An eponymous LP for the label the next year stunningly showcased Mitchell's still-potent voice on a program that combined blues and soul material. A 1984 LP for Retta's, I Won't Be Back for More, was among the singer's last releases (by then, he was back living in Jackson). ~ Bill Dahl, Rovi
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