Last updated: 6 hours ago
The Vancouver based M.E. Netzke has been writing and performing his self-described “Doom Croon” since the spring of 2019. He recently relocated to the west coast of Canada after a lengthy stint with a number of bands as a part of the indie scene in Seoul, South Korea. In the wake of years of genre shifting he has pleasantly embraced the “baroque-folk” style akin to artists such as Rufus Wainwright, Beirut, Patrick Watson and Lord Huron. With the support of producer/engineer Jon Anderson he has managed to find a place in the landscape that has allowed for his schizophrenic musical tastes to come together and intermix among themselves in a way that makes you want to cry on roller-skates.
His debut solo EP “Volume One: Geranium” was released in 2020 at the beginning of the global shutdown so opportunities for live appearances were limited and instead of touring the record he was constrained to writing violently at his home. The result was a burst of songs and subsequent EP, “Curtain No.2”. Though it was bittersweet, there was much to be lauded. Had it not been for the prescribed time and space, the entirety of the songs on his follow-up album would have never been revealed. His second effort, again paired with the talented Anderson affirmed that the two had unfinished work to explore.
His debut solo EP “Volume One: Geranium” was released in 2020 at the beginning of the global shutdown so opportunities for live appearances were limited and instead of touring the record he was constrained to writing violently at his home. The result was a burst of songs and subsequent EP, “Curtain No.2”. Though it was bittersweet, there was much to be lauded. Had it not been for the prescribed time and space, the entirety of the songs on his follow-up album would have never been revealed. His second effort, again paired with the talented Anderson affirmed that the two had unfinished work to explore.
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