Last updated: 5 hours ago
Michael Yezerski’s musical works are highly evocative, original and diverse.
From his Oakland-inspired score to BLINDSPOTTING to the relentless drones of THE DEVIL’S CANDY; from the comedic stylings of THE LITTLE DEATH to the lush period drama A PLACE TO CALL HOME; Michael is hard to pigeonhole as a composer and yet brings a signature musical intensity and authenticity to every project he takes on.
Recent projects include David Ayer’s, THE TAX COLLECTOR, the buzzy Toronto Film Festival hit THE VIGIL and Nash Edgerton’s MR INBETWEEN for FX.
Earlier career highlights include his first feature film THE BLACK BALLOON (winner of 8 AFI/AACTA Awards including Best Picture), the Academy Award winning short, THE LOST THING and his collaboration with the Australian Chamber Orchestra, THE RED TREE.
Michael works from Los Angeles and Sydney.
From his Oakland-inspired score to BLINDSPOTTING to the relentless drones of THE DEVIL’S CANDY; from the comedic stylings of THE LITTLE DEATH to the lush period drama A PLACE TO CALL HOME; Michael is hard to pigeonhole as a composer and yet brings a signature musical intensity and authenticity to every project he takes on.
Recent projects include David Ayer’s, THE TAX COLLECTOR, the buzzy Toronto Film Festival hit THE VIGIL and Nash Edgerton’s MR INBETWEEN for FX.
Earlier career highlights include his first feature film THE BLACK BALLOON (winner of 8 AFI/AACTA Awards including Best Picture), the Academy Award winning short, THE LOST THING and his collaboration with the Australian Chamber Orchestra, THE RED TREE.
Michael works from Los Angeles and Sydney.
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