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www.mirandacuckson.com
A “fearless, visionary, and tremendously talented artist” (Sequenza21), Miranda Cuckson delights audiences with her performances of music ranging from older eras to the newest creations. A soloist and collaborator, violinist and violist, she has been a featured artist at the Berlin Philharmonie, Suntory Hall, Teatro Colón, Cleveland Museum, San Francisco’s Herbst Theater, St. Paul Chamber Orchestra’s Liquid Music, 92NY, National Sawdust, and the Ojai, Bard, Marlboro, Portland, Music Mountain, West Cork, Grafenegg, Wien Modern, Frequency, and LeGuessWho festivals.
Miranda made her Carnegie Hall debut playing Piston’s Concerto No. 1 with the American Symphony Orchestra. She recently premiered Georg Friedrich Haas’ Violin Concerto No. 2 at the Vienna Musikverein with the Vienna Radio Symphony and in Tokyo, Porto, and Stuttgart. She also premiered the Violin Concerto by Marcela Rodriguez with the Orquesta Sinfónica Nacional de México.
Miranda is a member of interdisciplinary collective AMOC and director of Nunc. Her albums include Világ featuring the Bartok Solo Sonata with new works; the Ligeti, Korngold, Ponce, and Piston concertos; 20th-c American composers; Bartók, Schnittke, Lutoslawski duos; Melting the Darkness, microtonal/electronic music; and Nono’s La lontananza nostalgica utopica futura, named a Recording of the Year by the NYTimes.
Miranda is an alumna of Juilliard and has a doctorate degree. She teaches at New School University.
A “fearless, visionary, and tremendously talented artist” (Sequenza21), Miranda Cuckson delights audiences with her performances of music ranging from older eras to the newest creations. A soloist and collaborator, violinist and violist, she has been a featured artist at the Berlin Philharmonie, Suntory Hall, Teatro Colón, Cleveland Museum, San Francisco’s Herbst Theater, St. Paul Chamber Orchestra’s Liquid Music, 92NY, National Sawdust, and the Ojai, Bard, Marlboro, Portland, Music Mountain, West Cork, Grafenegg, Wien Modern, Frequency, and LeGuessWho festivals.
Miranda made her Carnegie Hall debut playing Piston’s Concerto No. 1 with the American Symphony Orchestra. She recently premiered Georg Friedrich Haas’ Violin Concerto No. 2 at the Vienna Musikverein with the Vienna Radio Symphony and in Tokyo, Porto, and Stuttgart. She also premiered the Violin Concerto by Marcela Rodriguez with the Orquesta Sinfónica Nacional de México.
Miranda is a member of interdisciplinary collective AMOC and director of Nunc. Her albums include Világ featuring the Bartok Solo Sonata with new works; the Ligeti, Korngold, Ponce, and Piston concertos; 20th-c American composers; Bartók, Schnittke, Lutoslawski duos; Melting the Darkness, microtonal/electronic music; and Nono’s La lontananza nostalgica utopica futura, named a Recording of the Year by the NYTimes.
Miranda is an alumna of Juilliard and has a doctorate degree. She teaches at New School University.
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