Last updated: 5 hours ago
Nat Pierce had a long, distinguished, somewhat low-profile career as a champion of latter-day big-band swing, serving as the co-leader of Los Angeles' crack <a href="spotify:artist:2tJcoKGK6fKgHE1j4ElVzP">Frank Capp-Nat Pierce Juggernaut</a> and an arranger for several well-known big bands and solo artists. His scores created an irresistible force when allied with a swinging, pushing drummer like <a href="spotify:artist:29N7WM1A1z6zuJG5Aii8ao">Capp</a>, often hewing tightly to the loping drive and tight ensemble of the post-'50s <a href="spotify:artist:2jFZlvIea42ZvcCw4OeEdA">Count Basie</a> orchestra. Likewise, <a href="spotify:artist:1sg7LKlpfKmZSvI0xxqNWC">Pierce</a>'s spare, tasty piano style not only has been compared to that of <a href="spotify:artist:2jFZlvIea42ZvcCw4OeEdA">Basie</a>, he also subbed very capably -- indeed, almost indistinguishably -- for the great man off and on from the late '50s until <a href="spotify:artist:2jFZlvIea42ZvcCw4OeEdA">Basie</a>'s death in 1984.
<a href="spotify:artist:1sg7LKlpfKmZSvI0xxqNWC">Pierce</a> studied music at the New England Conservatory of Music back home in Massachusetts, worked with local Boston bands, and ran his own part-time big band featuring <a href="spotify:artist:6cKTYu4WjPM4YjYdgZhfEr">Charlie Mariano</a> from 1949 to 1951. Having already started shopping arrangements to <a href="spotify:artist:2jFZlvIea42ZvcCw4OeEdA">Basie</a> and <a href="spotify:artist:2KSxJY1WxGGVYSmoM0N54P">Woody Herman</a>, he joined Herman's Third Herd in 1951 as pianist/arranger, remaining until 1955. Afterward, <a href="spotify:artist:1sg7LKlpfKmZSvI0xxqNWC">Pierce</a> settled in New York City, where he became a busy freelance arranger, recording pianist, and occasional leader of bands, working with <a href="spotify:artist:2ZJWBoh0c53yW13f86HNuA">Ruby Braff</a>, <a href="spotify:artist:05E3NBxNMdnrPtxF9oraJm">Lester Young</a>, <a href="spotify:artist:5V0MlUE1Bft0mbLlND7FJz">Ella Fitzgerald</a>, <a href="spotify:artist:3rxIQc9kWT6Ueg4BhnOwRK">Quincy Jones</a>, <a href="spotify:artist:0JM134st8VY7Ld9T2wQiH0">Coleman Hawkins</a>, <a href="spotify:artist:61EY7PIU7wT3t3766ZTvqB">Pee Wee Russell</a>, and <a href="spotify:artist:05E3NBxNMdnrPtxF9oraJm">Lester Young</a>. Two of his most famous projects took place in 1957 -- writing the arrangements for The Sound of Jazz television show, and playing piano with the <a href="spotify:artist:2jFZlvIea42ZvcCw4OeEdA">Basie</a> rhythm section on the first ear-opening <a href="spotify:artist:5XILwCCPqHHh1JRnMfzblg">Lambert, Hendricks & Ross</a> album Sing a Song of Basie. In 1961, <a href="spotify:artist:1sg7LKlpfKmZSvI0xxqNWC">Pierce</a> rejoined <a href="spotify:artist:2KSxJY1WxGGVYSmoM0N54P">Herman</a> and played a major role in lifting the band into one of its peak periods, serving as chief arranger, road manager, and talent scout until 1966. Afterward, he resumed his freelancing ways, arranging for <a href="spotify:artist:5QGnprJtpZmk3OiDqspPlB">Anita O'Day</a>, <a href="spotify:artist:2E3nXyfocf7qfHAIFNbBuj">Carmen McRae</a>, <a href="spotify:artist:2mY5u4CceAPrpBnse1WpFr">Earl Hines</a>, and others, working with the bands of <a href="spotify:artist:1el0ImlpL5kq6eAHoodvOU">Louie Bellson</a> and Bill Berry, reuniting with <a href="spotify:artist:2KSxJY1WxGGVYSmoM0N54P">Herman</a>, and substituting for <a href="spotify:artist:2jFZlvIea42ZvcCw4OeEdA">Basie</a> and <a href="spotify:artist:27hSR8e34ZM5vj5fUFixyb">Stan Kenton</a> on occasion. In 1975, four years after a move to Los Angeles, <a href="spotify:artist:1sg7LKlpfKmZSvI0xxqNWC">Pierce</a> joined forces with <a href="spotify:artist:29N7WM1A1z6zuJG5Aii8ao">Capp</a> to form <a href="spotify:artist:2tJcoKGK6fKgHE1j4ElVzP">the Capp-Pierce Juggernaut</a>, which drew its personnel from the best Los Angeles session players out to decompress from their studio gigs. The band recorded a number of swinging albums for the <a href="spotify:search:label%3A%22Concord+Jazz%22">Concord Jazz</a> label, sometimes with guest vocalists like <a href="spotify:artist:7FMGtucexJvUxVz7scydEL">Joe Williams</a> and <a href="spotify:artist:7yNele4jnVhZJ2GE7Kg25T">Ernestine Anderson</a>. <a href="spotify:artist:1sg7LKlpfKmZSvI0xxqNWC">Pierce</a> continued to co-lead <a href="spotify:artist:0BlRGkLJ30OwT1bHynIYkF">the Juggernaut</a> off and on until his death, while also making a brief appearance in the 1977 film New York, New York, touring Europe in 1980 and 1984 as a member of the Countsmen, and recording frequently for Concord as a sideman for <a href="spotify:artist:7sBx432MZn1MzHeYHAA5qr">Scott Hamilton</a>, <a href="spotify:artist:6y6NpdSD0n8h8ia8OLwYri">Jake Hanna</a>, and others. ~ Richard S. Ginell, Rovi
<a href="spotify:artist:1sg7LKlpfKmZSvI0xxqNWC">Pierce</a> studied music at the New England Conservatory of Music back home in Massachusetts, worked with local Boston bands, and ran his own part-time big band featuring <a href="spotify:artist:6cKTYu4WjPM4YjYdgZhfEr">Charlie Mariano</a> from 1949 to 1951. Having already started shopping arrangements to <a href="spotify:artist:2jFZlvIea42ZvcCw4OeEdA">Basie</a> and <a href="spotify:artist:2KSxJY1WxGGVYSmoM0N54P">Woody Herman</a>, he joined Herman's Third Herd in 1951 as pianist/arranger, remaining until 1955. Afterward, <a href="spotify:artist:1sg7LKlpfKmZSvI0xxqNWC">Pierce</a> settled in New York City, where he became a busy freelance arranger, recording pianist, and occasional leader of bands, working with <a href="spotify:artist:2ZJWBoh0c53yW13f86HNuA">Ruby Braff</a>, <a href="spotify:artist:05E3NBxNMdnrPtxF9oraJm">Lester Young</a>, <a href="spotify:artist:5V0MlUE1Bft0mbLlND7FJz">Ella Fitzgerald</a>, <a href="spotify:artist:3rxIQc9kWT6Ueg4BhnOwRK">Quincy Jones</a>, <a href="spotify:artist:0JM134st8VY7Ld9T2wQiH0">Coleman Hawkins</a>, <a href="spotify:artist:61EY7PIU7wT3t3766ZTvqB">Pee Wee Russell</a>, and <a href="spotify:artist:05E3NBxNMdnrPtxF9oraJm">Lester Young</a>. Two of his most famous projects took place in 1957 -- writing the arrangements for The Sound of Jazz television show, and playing piano with the <a href="spotify:artist:2jFZlvIea42ZvcCw4OeEdA">Basie</a> rhythm section on the first ear-opening <a href="spotify:artist:5XILwCCPqHHh1JRnMfzblg">Lambert, Hendricks & Ross</a> album Sing a Song of Basie. In 1961, <a href="spotify:artist:1sg7LKlpfKmZSvI0xxqNWC">Pierce</a> rejoined <a href="spotify:artist:2KSxJY1WxGGVYSmoM0N54P">Herman</a> and played a major role in lifting the band into one of its peak periods, serving as chief arranger, road manager, and talent scout until 1966. Afterward, he resumed his freelancing ways, arranging for <a href="spotify:artist:5QGnprJtpZmk3OiDqspPlB">Anita O'Day</a>, <a href="spotify:artist:2E3nXyfocf7qfHAIFNbBuj">Carmen McRae</a>, <a href="spotify:artist:2mY5u4CceAPrpBnse1WpFr">Earl Hines</a>, and others, working with the bands of <a href="spotify:artist:1el0ImlpL5kq6eAHoodvOU">Louie Bellson</a> and Bill Berry, reuniting with <a href="spotify:artist:2KSxJY1WxGGVYSmoM0N54P">Herman</a>, and substituting for <a href="spotify:artist:2jFZlvIea42ZvcCw4OeEdA">Basie</a> and <a href="spotify:artist:27hSR8e34ZM5vj5fUFixyb">Stan Kenton</a> on occasion. In 1975, four years after a move to Los Angeles, <a href="spotify:artist:1sg7LKlpfKmZSvI0xxqNWC">Pierce</a> joined forces with <a href="spotify:artist:29N7WM1A1z6zuJG5Aii8ao">Capp</a> to form <a href="spotify:artist:2tJcoKGK6fKgHE1j4ElVzP">the Capp-Pierce Juggernaut</a>, which drew its personnel from the best Los Angeles session players out to decompress from their studio gigs. The band recorded a number of swinging albums for the <a href="spotify:search:label%3A%22Concord+Jazz%22">Concord Jazz</a> label, sometimes with guest vocalists like <a href="spotify:artist:7FMGtucexJvUxVz7scydEL">Joe Williams</a> and <a href="spotify:artist:7yNele4jnVhZJ2GE7Kg25T">Ernestine Anderson</a>. <a href="spotify:artist:1sg7LKlpfKmZSvI0xxqNWC">Pierce</a> continued to co-lead <a href="spotify:artist:0BlRGkLJ30OwT1bHynIYkF">the Juggernaut</a> off and on until his death, while also making a brief appearance in the 1977 film New York, New York, touring Europe in 1980 and 1984 as a member of the Countsmen, and recording frequently for Concord as a sideman for <a href="spotify:artist:7sBx432MZn1MzHeYHAA5qr">Scott Hamilton</a>, <a href="spotify:artist:6y6NpdSD0n8h8ia8OLwYri">Jake Hanna</a>, and others. ~ Richard S. Ginell, Rovi
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