Last updated: 20 hours ago
Nate Wang
Co-founder, UNDERSCORE CO., LTD.
Game Producer | Music Producer
For over a decade, I’ve been composing music for games, commercials, animations, theatre, live performances, and albums.
In the past six years, my focus has shifted more deeply into game music — even to the point of creating my own indie game (Aliisha - The Oblivion of Twin Goddesses) to explore its full potential.
What sets game music apart from other forms is its ability to interact with the player in real time, thanks to interactive audio engines (Wwise, Fmod). I believe that this dynamic connection between sound and gameplay is what makes game music truly powerful.
Through this interactivity, I aim to create music that not only enhances immersion, but also builds a genuine emotional bond between the player and the world they’re exploring.
As a game and music producer, I approach sound creation from a holistic perspective.
To me, making the right music for a game isn’t just about musicality — it’s about understanding the gameplay, the narrative, and the player’s journey.
From pre-production to final implementation, every sonic decision I make serves the experience as a whole.
I believe that in game development, the function of music often outweighs the musical form. This requires a different mindset than composing for film or other media — one that blends creativity with design thinking.
Co-founder, UNDERSCORE CO., LTD.
Game Producer | Music Producer
For over a decade, I’ve been composing music for games, commercials, animations, theatre, live performances, and albums.
In the past six years, my focus has shifted more deeply into game music — even to the point of creating my own indie game (Aliisha - The Oblivion of Twin Goddesses) to explore its full potential.
What sets game music apart from other forms is its ability to interact with the player in real time, thanks to interactive audio engines (Wwise, Fmod). I believe that this dynamic connection between sound and gameplay is what makes game music truly powerful.
Through this interactivity, I aim to create music that not only enhances immersion, but also builds a genuine emotional bond between the player and the world they’re exploring.
As a game and music producer, I approach sound creation from a holistic perspective.
To me, making the right music for a game isn’t just about musicality — it’s about understanding the gameplay, the narrative, and the player’s journey.
From pre-production to final implementation, every sonic decision I make serves the experience as a whole.
I believe that in game development, the function of music often outweighs the musical form. This requires a different mindset than composing for film or other media — one that blends creativity with design thinking.
Monthly Listeners
78
Monthly Listeners History
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Followers
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Followers History
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