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Some notes on the music here:
Macbeth: What Man May Dare (Original Cast Recording)
Adapted and directed by Sarah Aldrich
Stage Management by Mary Riegg
Music and Lyrics by Nathaniel Kirkeby Rodrigues, all rights reserved, copyrighted, etc.
Piano, guitar, and percussion: Nathaniel Kirkeby Rodrigues
Violin and mandolin: Rebecca Black
Flute: Joshua Engelman
Recording and engineering by James Aldrich
“The Dawning of the Day” and “The Hearth Had Much to Say”
Lyrics: Nathaniel Kirkeby Rodrigues
Melody: Roud Folk Song Index #52
Arrangement: Nathaniel Kirkeby Rodrigues à la Alela Diane & Alina Hardin
“Bloodied Hands” borrowed a motif (“WCWAMS”) from Robert Lowry
“Murmurs in the Gloaming” harmonies composed by Rebecca Olsen
I Call You Child
Words and music by Nathaniel Kirkeby Rodrigues, all rights reserved, copyrighted, etc.
Contact: usual formula—first dot middle dot last @ that not-Google email place (yes, Outlook).
Macbeth: What Man May Dare (Original Cast Recording)
Adapted and directed by Sarah Aldrich
Stage Management by Mary Riegg
Music and Lyrics by Nathaniel Kirkeby Rodrigues, all rights reserved, copyrighted, etc.
Piano, guitar, and percussion: Nathaniel Kirkeby Rodrigues
Violin and mandolin: Rebecca Black
Flute: Joshua Engelman
Recording and engineering by James Aldrich
“The Dawning of the Day” and “The Hearth Had Much to Say”
Lyrics: Nathaniel Kirkeby Rodrigues
Melody: Roud Folk Song Index #52
Arrangement: Nathaniel Kirkeby Rodrigues à la Alela Diane & Alina Hardin
“Bloodied Hands” borrowed a motif (“WCWAMS”) from Robert Lowry
“Murmurs in the Gloaming” harmonies composed by Rebecca Olsen
I Call You Child
Words and music by Nathaniel Kirkeby Rodrigues, all rights reserved, copyrighted, etc.
Contact: usual formula—first dot middle dot last @ that not-Google email place (yes, Outlook).
