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Born and raised in Moscow, Russia, and based in Oslo, Norway, Olga Konkova is an acoustic post-bop pianist/composer whose influences range from <a href="spotify:artist:2ZvrvbQNrHKwjT7qfGFFUW">Herbie Hancock</a> and <a href="spotify:artist:7G7zZjjTwBZ9vzaoogk95s">John Lewis</a> to <a href="spotify:artist:4jXfFzeP66Zy67HM2mvIIF">Bill Evans</a>, <a href="spotify:artist:5olDKSsFhhmwh8UCWwKtpq">Chick Corea</a>, and <a href="spotify:artist:0F3Aew9DSd6fb6192K1K0Y">Keith Jarrett</a>. Konkova, who favors a very clean and crystalline style of pianism, is also comparable to <a href="spotify:artist:6gc6oo3u2f7SqTd4mhe81O">Ahmad Jamal</a> and the underrated <a href="spotify:artist:4bWZyCEles7MnQ3pMLoMbQ">Walter Norris</a>. Like <a href="spotify:artist:4bWZyCEles7MnQ3pMLoMbQ">Norris</a>, Konkova is known for taking major liberties with familiar melodies -- while other jazz musicians don't really start to improvise until after they play the melody/theme (or "head," in jazz terminology), Konkova starts to seriously improvise the minute her fingers touch the keyboard. Consequently, she can make even the most familiar standards sound fresh.

Konkova, who started piano lessons at the age of seven, wasn't always a full-time jazz musician; growing up in Moscow, she played mostly classical piano after studying at the Russian Academy of Music, graduating in 1993. But not long afterward, she moved to Boston to study jazz for two semesters at the prestigious Berklee College of Music. Then, in the mid-'90s, Konkova left the U.S. and moved to Oslo (where she married Norwegian bassist <a href="spotify:artist:0fh8WFMMCeIaS3IgjgQJmW">Per Mathisen</a>, brother of saxophonist <a href="spotify:artist:3ho4aoBcSNNrvAmKrUtxYK">Ole Mathisen</a>). In 1996, Konkova made her recorded debut as leader with the trio effort Going with the Flow, featuring bassist Carl Morten Iversen and drummer <a href="spotify:artist:7vLSlwyxgwz4SCqkkTtMaq">Audun Kleive</a>. She then delivered a handful of well-regarded releases for the British <a href="spotify:search:label%3A%22Candid%22">Candid</a> label, including 1997's Her Point of View and 2001's Some Things from Home.

Unbound, a duet album with husband <a href="spotify:artist:3ho4aoBcSNNrvAmKrUtxYK">Mathisen</a>, followed in 2006. Three years later, she released Improvisational: Four, which featured solo piano performances inspired by the work of <a href="spotify:artist:5hW4L92KnC6dX9t7tYM4Ve">Joni Mitchell</a>. The pianist next signed with Norway's <a href="spotify:search:label%3A%22Losen+Records%22">Losen Records</a>, issuing the expansive solo session Return Journey in 2011. She then paired with vocalist Wenche Losnegård for the lyrical My Voice: Music for Piano, Vocal & Percussion, followed by the 2015 trio date The Goldilocks Zone with <a href="spotify:artist:3ho4aoBcSNNrvAmKrUtxYK">Mathisen</a> and drummer <a href="spotify:artist:64PTVZOQTka52kribScaRI">Gary Husband</a>. In 2017, Konkova collaborated with guitarist <a href="spotify:artist:6TwRERI57TC8kPDTDF3wRo">Jens Thoresen</a> on the atmospheric, holiday-themed December Songs. A year later, she reunited with <a href="spotify:artist:6TwRERI57TC8kPDTDF3wRo">Thoresen</a> for the similarly inventive standards album Old Songs. ~ Alex Henderson, Rovi

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