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Myths abound in the north when it comes to techno ground zero, and they refuse to go away. Oliver Huntemann is one of a handful of children of the north who, for what seems like an eternity, add an element of credence to the mythology. He does not, of course, live in a snowy forest or at the edge of the polar oceans. The sun does, on occasion, shine down on Hamburg.
Nevertheless, there is a tendency towards hypothermic reduction in the rigorous efficiency of the Huntemann oeuvre. Images of cold storage warehouses, desolate heavy plant sites and bluish flesh are not entirely misplaced. Shards of German Engineering glimmer in his music, laced with persuasive logic, gruesome Darwinism. What remains: what works.
Nevertheless, there is a tendency towards hypothermic reduction in the rigorous efficiency of the Huntemann oeuvre. Images of cold storage warehouses, desolate heavy plant sites and bluish flesh are not entirely misplaced. Shards of German Engineering glimmer in his music, laced with persuasive logic, gruesome Darwinism. What remains: what works.
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