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Born in the 90’s, the young French producer started ballet dancing at the Conservatory at age 4, a discipline that requires long & several hours of trainings throughout the week that Margaux would hate for as long as it went on. Yet, those classes were unknowingly becoming a turning point when she stammered her first compositions at age 16. Bathing in classical music for multiple hours a week for 11 years would give any dormant producer an unfair advantage when wanting to successfully merge classical music influences within hard-hitting electronic music components.

It’s with this determination and a wild streak that 𝕺𝖘𝖚𝖓𝖉𝖎 uses her unique & uplifting artistic vision producing weapon-like tracks infused with a zest of that well-known French elegance as a mean to carve her way through the music industry.

Shortly after moving to Berlin in 2016, &#x1d57a;&#x1d598;&#x1d59a;&#x1d593;&#x1d589;&#x1d58e; was already writing songs for other artists with <a href="spotify:artist:5Qsw5IlZpzuwDDsfwPzMSs" data-name="Craig Walker">Craig Walker</a> (composer of the worldwide hit “ <a href="spotify:track:1ubVPccf8Vb9mL0XYpVpCV" data-name="Fade Out Lines - The Avener Rework">Fade Out Lines - The Avener Rework</a>” &amp; former singer of &#39;&#39;<a href="spotify:artist:1Q776wzj2mrtXrNu3iH6nk" data-name="Archive">Archive</a>&#39;&#39;). Later, she released her 1st track, a remix of &#39;&#39;Bei Mir Bist Du Schön&#39;&#39; (Ella Fitzgerald), which accumulated over 140K plays in less than 5 months on Spotify only.

In 2017, she collaborated with Canadian actress Pascale Bussières starring in the music video of “Okura”, which was later independently released.

In 2019, &#x1d57a;&#x1d598;&#x1d59a;&#x1d593;&#x1d589;&#x1d58e; signed to Pusher a sync licensing label that counts Run The Jewels, Moby &amp; more among its roster.

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