Otis Leavill

Friendly, talented Otis Leavill Cobb was born February 8, 1937, in Dewey Rose, GA. The Cobb family moved to Chicago two years later and settled in the Londale area on the Westside. Leavill had four brothers and two sisters. His father pastored the First Church of Deliverance on South Wabash, one of the first to broadcast on the radio, and formed the Cobb Singers, with <a href="spotify:artist:2BziwabW57ZUKsJE1sTSSE">Otis</a> a member. Leavill's childhood chum, <a href="spotify:artist:7onp6ew3LGoQImTt1I78gt">Major Lance</a>, lived in the Cabrini Green Projects near <a href="spotify:artist:2AV6XDIs32ofIJhkkDevjm">Curtis Mayfield</a> and <a href="spotify:artist:0U2mUJuJkthantMGmsJygP">Jerry Butler</a>. They slept over at each other houses and acted more like brothers than buddies. As teenagers the two pals participated in amateur boxing at St. Albees, Leavill always fought in a division five pounds heavier than <a href="spotify:artist:41aoThgVjFbsnXTNPFddhZ">Lance</a>. At 5'5" Leavill was short and stocky; <a href="spotify:artist:41aoThgVjFbsnXTNPFddhZ">Lance</a> was taller and slimmer at 5'8." They formed the Floats with two females: Barbara Tyson, and another that no one remembers. After eight months the Floats ended, they never released a record but recorded a demo that's floating around Chi-town. Always industrious, Leavill worked at a grocery store, and <a href="spotify:artist:41aoThgVjFbsnXTNPFddhZ">Lance</a> at a drugstore in the Cabrini Green area. Leavill graduated from Crane High School, and attended Crane Junior College, and Chicago Junior College.

<a href="spotify:artist:1b1N51wmSK0ckxFAMPSSHO">The Impressions</a> recorded first, then <a href="spotify:artist:41aoThgVjFbsnXTNPFddhZ">Lance</a>, and finally Leavill. His first record "Ride Sally Ride," dropped on Mercury's Limelight subsidiary, though <a href="spotify:artist:2BziwabW57ZUKsJE1sTSSE">Otis</a> says he waxed it for St. Lawrence Records who evidently leased the master. His next release, "Gotta Right to Cry," a <a href="spotify:artist:2AV6XDIs32ofIJhkkDevjm">Mayfield</a> song, came out on <a href="spotify:search:label%3A%22Lucky+Records%22">Lucky Records</a>; <a href="spotify:artist:41aoThgVjFbsnXTNPFddhZ">Lance</a> had already waxed and released the tune in 1963 for <a href="spotify:search:label%3A%22Okeh+Records%22">Okeh Records</a>. His third release, "Let Her Love Me," in 1966, gave his career the boost it needed reaching number 31 on Billboard's R&B chart; the lilting <a href="spotify:artist:2AV6XDIs32ofIJhkkDevjm">Mayfield</a> ballad, with <a href="spotify:artist:1b1N51wmSK0ckxFAMPSSHO">the Impressions</a> singing in the background became <a href="spotify:search:label%3A%22Blue+Rock+Records%22">Blue Rock Records</a>' first national hit. Dick Clark's Caravan of Stars provided Leavill his first touring opportunity. Initially, he went along to accompany <a href="spotify:artist:7onp6ew3LGoQImTt1I78gt">Major Lance</a>, but with disk jockeys spinning "Let Her Love Me," <a href="spotify:artist:0HcArb3ZZ5TwDMEC6AeoZ2">Clark</a> gave Leavill a paid slot on the Caravan to sing two songs.

Prior to that first hit, he befriended record producer Carl Davis who worked at <a href="spotify:search:label%3A%22Okeh+Records%22">Okeh Records</a>. At <a href="spotify:search:label%3A%22Okeh%22">Okeh</a> he was Davis' right-hand man, helping to schedule artists, getting musicians and backing singers to the studio, etc. Leavill could spot talent, he discovered <a href="spotify:artist:7BFr36uI1dzJyo6tpa5Ued">the Chi-lites</a>, <a href="spotify:artist:76agLI5oSCFbmZnBqKcBJd">Tyrone Davis</a>, <a href="spotify:artist:3opvWF0Koer2VPIJVOqnU6">Bohannon</a>, and <a href="spotify:artist:5IjkhhPuixhmO7SHOxGnJx">Manchild</a> from Indianapolis, IN, whose members included Kenneth "Baby Face" Edmonds. Leavill and Davis passed on <a href="spotify:artist:6mQfAAqZGBzIfrmlZCeaYT">Yvette Stevens</a>, a fast, hot-blooded 16-year-old singer, and her younger sister, <a href="spotify:artist:2W0FB05S1QFXtILtcn5bgT">Yvonne</a>, they thought <a href="spotify:artist:6mQfAAqZGBzIfrmlZCeaYT">Yvette</a> in particular would be a major distraction; in spite of her young age, older men hovered around the vivacious, full-throated, curvy teen like flies. <a href="spotify:artist:6mQfAAqZGBzIfrmlZCeaYT">Yvette</a> became <a href="spotify:artist:6mQfAAqZGBzIfrmlZCeaYT">Chaka Khan</a>, and <a href="spotify:artist:2W0FB05S1QFXtILtcn5bgT">Yvonne</a>, <a href="spotify:artist:2W0FB05S1QFXtILtcn5bgT">Taka Boom</a>. He raves about <a href="spotify:artist:3BLqcKdqgBI3oJvVg7Odz8">the Vibrations</a>' ability to sing the "money songs" as he called standards, the tunes that got you cushy gigs in Las Vegas. Yet, it never really happened for the Californian natives like everyone predicted, their <a href="spotify:search:label%3A%22Okeh%22">Okeh</a> recordings' "Pick Me," "Misty," "Love in Them There Hills," and others were only modest sellers.

<a href="spotify:search:label%3A%22Blue+Rock+Records%22">Blue Rock Records</a> was Leavill's next stop. There he cut some memorable sides, including Billy Butler's "To Be or Not to Be," and "Let Me Live." When Davis formed the <a href="spotify:search:label%3A%22Dakar%22">Dakar</a> label, he appointed <a href="spotify:artist:2BziwabW57ZUKsJE1sTSSE">Otis</a> as Vice-President and gave him shares in the company. Leavill also recorded for <a href="spotify:search:label%3A%22Dakar%22">Dakar</a> where he enjoyed his biggest hit: <a href="spotify:artist:1EzKfWyQHxq5fzKoZpD9kM">Eugene Record</a>'s "I Love You," a song that sounded like Leavill imitating <a href="spotify:artist:1EzKfWyQHxq5fzKoZpD9kM">Record</a>, <a href="spotify:artist:7BFr36uI1dzJyo6tpa5Ued">the Chi-lites</a>' lead singer; it climbed to number ten R&B but never threatened the Pop Top 40, stalling number 64. Another <a href="spotify:artist:1EzKfWyQHxq5fzKoZpD9kM">Record</a> composition "Love Uprising" nearly repeated the success of "I Love You," checking in at number 19 R&B and number72 Pop. Another single, "There's Nothing Better Than Loving You," scraped into the lower rungs of the R&B chart. Despite some success, <a href="spotify:search:label%3A%22Dakar%22">Dakar</a> never released an album by Leavill. <a href="spotify:artist:3W7NhfglFlnKRRMfakixbT">Willie Henderson</a> produced Leavill's recordings at <a href="spotify:search:label%3A%22Dakar%22">Dakar</a>; and <a href="spotify:artist:1EzKfWyQHxq5fzKoZpD9kM">Record</a> and <a href="spotify:artist:5cIS9VdHDj2fozLl19Gg2A">Barbara Acklin</a> did the backing vocals.

After <a href="spotify:search:label%3A%22Dakar%22">Dakar</a>'s demise Carl Davis went to <a href="spotify:search:label%3A%22Brunswick+Records%22">Brunswick Records</a>, Leavill followed and had a few releases including "Can't Stop Loving You" (which sells for $40.00 to collectors), but never again realized the success he had at <a href="spotify:search:label%3A%22Dakar%22">Dakar</a>. His releases after that were sporadic. "Right Back in Love" came out on <a href="spotify:search:label%3A%22Columbia+Records%22">Columbia Records</a>, but after a few more droppings, Leavill's recording career ended. A songwriter also, BMI lists 41 songs by Leavill. He wrote "There's Goes the Lover" (<a href="spotify:artist:52uMkSFt2RVO6XxTEt5VeW">Gene Chandler</a>) and "Sweet Music" for <a href="spotify:artist:7onp6ew3LGoQImTt1I78gt">Major Lance</a>; he produced sides for <a href="spotify:artist:76agLI5oSCFbmZnBqKcBJd">Tyrone Davis</a>, and supervised <a href="spotify:artist:7onp6ew3LGoQImTt1I78gt">Major Lance</a>'s <a href="spotify:search:label%3A%22Motown%22">Motown</a> album Now Arriving. More prominent behind the scenes than out front, his memories of music are all good. Divorced (from Minnie Cobb), his daughter Misti graduated from Miliken University in Decatur, IL. In 1999, he toured the European clubs with <a href="spotify:artist:0wbrRIw2po5DV4LeaHw55S">the Dells</a>. Unknown to many, he and Carl Davis coached football at Hyde Park High for seven years. Never one to sit back and wait, Leavill also owned the '76 Car Wash and Gas Station at Washington and Pulaski, and moonlighted as a policeman in a west Chicago 'burb. He formed <a href="spotify:search:label%3A%22OK+Records%22">OK Records</a> in 2000 after a long hiatus from the record business. Sadly, Otis Leavill passed July 17, 2002 of a heart attack; he was 65. Til the end , he had lost none of the drive, hustle, or energy that first won him respect as an amateur boxer at St. Albees. ~ Andrew Hamilton, Rovi