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Paul Bidault (pronounced Bid-Oh) is hard to pin down. Attempts to categorize his work unfailingly lead to inventive descriptions such as” …Cab Calloway and Tom Waits in a Fellini film..” or “...this is what would happen if Leonard Cohen, Nick Cave and Tom Waits crashed a day of the dead party”. This is likely no coincidence, as Bidault himself is an improbable brew; a Paris based Mexico City born anglophone Frenchman who’s called many nations home yet remains proudly Mexican. His unlikely roots inform a broad sonic palette he seamlessly weaves into haunting tales that beat with an old, troubled heart.

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