Last updated: 3 hours ago
Paul Biss was born on August 8th, 2008.
Or at least the incarnation of Belgian pop’s newest and most inscrutable electro dandy came into being on that date. 240 years after the birth of Beau Brummel and a month before the collapse of Lehman Brothers, Paul Biss emerged fully formed, singing to the woman he was hoping to marry, stood by the poolside of a Greek island resort on a baking August afternoon. You’ll be pleased to know she said “yes”, but more importantly, Paul Biss was born.
That was the day that Paul Biss found his voice. His poetic esprit was unleashed. That day he answered his true calling.
Quelques coups de téléphone - released by Belgian baroque pop specialists Freaksville - is the product of all the subsequent work that has gone into the making of a classic debut album since that fateful August afternoon. It is the soundtrack to Paul Biss’ short life thus far. It will make you laugh. It will make you cry. But most importantly, it will make you dance.
Or at least the incarnation of Belgian pop’s newest and most inscrutable electro dandy came into being on that date. 240 years after the birth of Beau Brummel and a month before the collapse of Lehman Brothers, Paul Biss emerged fully formed, singing to the woman he was hoping to marry, stood by the poolside of a Greek island resort on a baking August afternoon. You’ll be pleased to know she said “yes”, but more importantly, Paul Biss was born.
That was the day that Paul Biss found his voice. His poetic esprit was unleashed. That day he answered his true calling.
Quelques coups de téléphone - released by Belgian baroque pop specialists Freaksville - is the product of all the subsequent work that has gone into the making of a classic debut album since that fateful August afternoon. It is the soundtrack to Paul Biss’ short life thus far. It will make you laugh. It will make you cry. But most importantly, it will make you dance.
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