Last updated: 4 hours ago
Rene Lopez is a Bronx-born singer-songwriter whose music walks the gritty line between truth and myth, blending Americana,Latin rhythms, Outlaw Country and rock & roll into something unmistakably his own. Raised in a New York steeped in musical legacy—his father, René López Sr., was a trumpet player with Ray Barretto and Tipica ’73—Lopez inherited a love of rhythm and melody that pulses through everything he creates. But Rene’s path has never been about simply preserving tradition. Instead, he builds from it—fusing the old-school with street-corner honesty, genre-bending grooves, and emotionally raw storytelling.
On his 11th solo album A New York Lie, Lopez returns with his most unflinching and personal work to date: songs born from heartbreak, redemption, spiritual searching, and the long, jagged road of self-reinvention. With lyrics that read like confessions scrawled on bar napkins and production that echoes both Lower East Side grit and Southern soul, he paints a vivid portrait of love, loss, and survival in a city that never apologizes.
Over the years, Lopez has been called a “one-man song factory” (NPR’s Alt.Latino) and hailed for his ability to channel everything from bolero and cha-cha to funk, folk, and doo-wop. But what makes his current work resonate so deeply is his refusal to hide—behind personas, behind polish, behind the past. Whether singing over timbales and Cuban tres or confessing his struggles on a dusty Americana backbeat.
On his 11th solo album A New York Lie, Lopez returns with his most unflinching and personal work to date: songs born from heartbreak, redemption, spiritual searching, and the long, jagged road of self-reinvention. With lyrics that read like confessions scrawled on bar napkins and production that echoes both Lower East Side grit and Southern soul, he paints a vivid portrait of love, loss, and survival in a city that never apologizes.
Over the years, Lopez has been called a “one-man song factory” (NPR’s Alt.Latino) and hailed for his ability to channel everything from bolero and cha-cha to funk, folk, and doo-wop. But what makes his current work resonate so deeply is his refusal to hide—behind personas, behind polish, behind the past. Whether singing over timbales and Cuban tres or confessing his struggles on a dusty Americana backbeat.
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