Last updated: 9 hours ago
In a time of digital polish and studio patchwork, it has become increasingly rare to hear a record that captures the lightning-in-a-bottle dynamics of a live performance. Music continues to fill our queues, but it feels less and less human, so when a record breaks through the static, it can be a revelation. Introducing the wound-up art punks in San Francisco’s Rip Room. After successfully self-releasing and touring on two EPs, the three piece returned to Louder Studios in Grass Valley, CA to reunite with storied engineer Tim Green (Nation of Ulysses, Melvins, Bikini Kill, Sebadoh). The result is the charismatic and alluringly unpredictable debut full-length record, Alight and Resound, twelve pulsing songs that harken back to better musical times while somehow embracing the relevance of the moment. Think Unwound, Sleater-Kinney, and Fugazi. Propulsive rhythms and piercing lyrics, but with a sense of buoyancy. Brashness over banality. Wolves in sheep’s clothing.
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