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Sargon Gabriel, born in 1947 in Habbaniyah, Iraq, stands as a distinguished figure in the realm of Assyrian music. His mastery lies in his enchanting renditions of traditional Assyrian folk music, enriched by his skillful incorporation of the zurna and dawoola instruments. Currently a resident of Chicago, Illinois, he has carved out a triumphant path in the music industry, leaving an indelible mark on the cultural landscape.
The odyssey of Mr. Gabriel's musical voyage commenced during his formative years, and at the tender age of 17, he graced the screens of live television in Baghdad, Iraq, marking the inception of his journey into the spotlight. Initially occupying the role of a backup singer for the eminent Assyrian artist Albert Ruel Tamras, he soon embarked on a transformative solo expedition. In a significant move in 1987, he unveiled the album "Way Way Minnakh," a magnum opus that encompassed a resounding cover of Albert Ruel Tamras's iconic composition, "Asmar, Asmar."
Spanning an illustrious trajectory, Sargon Gabriel's musical legacy boasts an impressive discography comprising 22 albums and a selection of impactful singles. This prolific output serves as a testament to his unparalleled musicianship and unwavering commitment to the preservation of Assyrian folk melodies.
The odyssey of Mr. Gabriel's musical voyage commenced during his formative years, and at the tender age of 17, he graced the screens of live television in Baghdad, Iraq, marking the inception of his journey into the spotlight. Initially occupying the role of a backup singer for the eminent Assyrian artist Albert Ruel Tamras, he soon embarked on a transformative solo expedition. In a significant move in 1987, he unveiled the album "Way Way Minnakh," a magnum opus that encompassed a resounding cover of Albert Ruel Tamras's iconic composition, "Asmar, Asmar."
Spanning an illustrious trajectory, Sargon Gabriel's musical legacy boasts an impressive discography comprising 22 albums and a selection of impactful singles. This prolific output serves as a testament to his unparalleled musicianship and unwavering commitment to the preservation of Assyrian folk melodies.
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