Last updated: 3 hours ago
Sentimental yet brutal, provocative yet kind, Belgian duo schntzl play live electronic music
that makes you reevaluate sound itself. Hendrik Lasure (piano, electronica) and Casper
Van De Velde (drums, electronica) are key figures in the Belgian jazz music scene, active
across numerous projects, yet in schntzl they find their most singular form: hyper-visual,
emotional, and uncompromisingly bold.
On their new album, Fata Morgana (VIERNULVIER records, feb 2026), they merge
acoustic and digital sounds into a retro-futuristic world, blending exploratory jazz,
restless electronics and euphoric trance. Fata Morgana is confrontational and playful,
sentimental and brutal, constantly blurring the line between illusion and reality.
On stage, they perform as a fail-safe orchestra of two, orbiting each other in a constant
game of leading and following. Whenever balance threatens to tilt too far, they counter with
sharp contrasts, reshaping ideas in real time. The result is music that feels like a mirage:
playful yet volatile, intimate yet overwhelming.
that makes you reevaluate sound itself. Hendrik Lasure (piano, electronica) and Casper
Van De Velde (drums, electronica) are key figures in the Belgian jazz music scene, active
across numerous projects, yet in schntzl they find their most singular form: hyper-visual,
emotional, and uncompromisingly bold.
On their new album, Fata Morgana (VIERNULVIER records, feb 2026), they merge
acoustic and digital sounds into a retro-futuristic world, blending exploratory jazz,
restless electronics and euphoric trance. Fata Morgana is confrontational and playful,
sentimental and brutal, constantly blurring the line between illusion and reality.
On stage, they perform as a fail-safe orchestra of two, orbiting each other in a constant
game of leading and following. Whenever balance threatens to tilt too far, they counter with
sharp contrasts, reshaping ideas in real time. The result is music that feels like a mirage:
playful yet volatile, intimate yet overwhelming.
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